NIKE AIR BERWUDA
NIKE AIR BERWUDA
Kartheiser’s private courtyard includes a covered seating area and fire pit, designed by Roberts.
Kartheiser’s private courtyard includes a covered seating area and fire pit, designed by Roberts.
At the top of the stairwell, a sitting area is outfitted with a vintage Eames lounge, a large Jack Goldstein painting, and a 1970s light fixture found by Marcovitz in Paris. Photo by João Canziani.
At the top of the stairwell, a sitting area is outfitted with a vintage Eames lounge, a large Jack Goldstein painting, and a 1970s light fixture found by Marcovitz in Paris. Photo by João Canziani.
The bedroom’s vertical, floor-to-ceiling window lets occupants admire the graceful trees outside. A Mini Tolomeo lamp by Artemide sits on the bedside table.
The bedroom’s vertical, floor-to-ceiling window lets occupants admire the graceful trees outside. A Mini Tolomeo lamp by Artemide sits on the bedside table.
In the sitting area, two leather Paulistano chairs by Paulo Mendes da Rocha top a rug by Yerra; the wall paint is Comex.
In the sitting area, two leather Paulistano chairs by Paulo Mendes da Rocha top a rug by Yerra; the wall paint is Comex.
In the living room, spare Scandinavian design takes center stage. Hans Wegner’s Wishbone chairs surround an Essay dining table by Cecilie Manz for Fritz Hansen; a mostly wood palette is enhanced by slate-gray brick around the fireplace. The paper lanterns throughout the home are a mixture of classics by Isamu Noguchi alongside those picked up in Japan and France.
In the living room, spare Scandinavian design takes center stage. Hans Wegner’s Wishbone chairs surround an Essay dining table by Cecilie Manz for Fritz Hansen; a mostly wood palette is enhanced by slate-gray brick around the fireplace. The paper lanterns throughout the home are a mixture of classics by Isamu Noguchi alongside those picked up in Japan and France.
In the living room, an 18th century jajim, purchased in Istanbul, hangs behind a Molteni & C sofa covered in woven linen with mohair pillows. The wool rug is from California Carpets.
In the living room, an 18th century jajim, purchased in Istanbul, hangs behind a Molteni & C sofa covered in woven linen with mohair pillows. The wool rug is from California Carpets.
The wall features about 150 tropical, low-light species that are arranged from green, textural plants at the bottom, to flowers and trees creating a canopy over the room.
The wall features about 150 tropical, low-light species that are arranged from green, textural plants at the bottom, to flowers and trees creating a canopy over the room.
Architectural designer Sebastian Mariscal and project manager Jeff Svitak created a house in Venice, California, for Michael and Tamami Sylvester. Known as Dwell Home Venice for its role as an exemplification of modern architecture, the house is an homage to indoor-outdoor living. Photo by Coral von Zumwalt.
Architectural designer Sebastian Mariscal and project manager Jeff Svitak created a house in Venice, California, for Michael and Tamami Sylvester. Known as Dwell Home Venice for its role as an exemplification of modern architecture, the house is an homage to indoor-outdoor living. Photo by Coral von Zumwalt.
“[We wanted to] discover and leverage the latent potential hidden under all the unpleasantness,” Young says. “The living room had a nice scale to it. The orientation was set up with a good relationship to the sun and the yard.” A custom sofa and vintage chairs surround a Platner table.
“[We wanted to] discover and leverage the latent potential hidden under all the unpleasantness,” Young says. “The living room had a nice scale to it. The orientation was set up with a good relationship to the sun and the yard.” A custom sofa and vintage chairs surround a Platner table.
Designer in Brooklyn, New York

"The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."