Since the only spot for a sink was within the main living space, Poteet designed a wide, sculptural basin that would integrate well into the interior, and added a Zurn faucet. The small step leads right into the shower and toilet area. The artworks are by San Antonio artists John Mata, Kimberly Aubuchon, Chris Sauter and Cruz Ortiz; the X came from an old Texaco sign.
Owner Stacey Hill was instantly drawn to this shipping container’s existing blue color and chose to leave it unchanged. Architect Jim Poteet added floor-to-ceiling sliding doors to allow light in, as well as a cantilevered overhang to shade a window on the left side, which houses a small garden storage area.
While shopping for containers, Hill was instantly drawn to this one’s existing blue color and chose to buy it and leave it as is. Poteet added floor-to-ceiling sliding doors to allow light in, as well as a cantilevered overhang to shade a window on the left side, which houses a small garden storage area.
Jon Ahrens of Madrone Landscaping, who layed out the plantings around the container, implemented a green roof on a drip watering system. The cantilevered overhang at rear is planted with cacti.
Poteet replaced one wall with a large steel-and-glass lift-and-slide window wall, which he says makes the best use of indirect light. “The big sliding door and picture window make the 250-square-foot living space feel big,” says Hill.
Landscape architect Tait Moring installed pavers around the structure’s perimeter and kept the tree cover intact. Photo by: Kimberly Davis
In a family’s pint-size lake retreat in Austin, Texas, ipe siding and decking meet concrete floors and steeland-glass windows. Stained cyprus was used for the ceiling and soffit. The custom barn-style sliding door conceals the family’s collection of giant inner tubes and other boating equipment. Photo by: Kimberly Davis
Bernstein reconfigured the entryway to the street level; guests ascend to the main living space. Ironspot clay tile and FSC-certified cedar clads the facade.
Hill House Floor Plan
Generous storage is key to an uncluttered look. Drawers for shoes tuck away under the raised mezzanine floor.
To reinforce a streamlined aesthetic, materials move from the inside out and from room to room. A Caesarstone countertop in the kitchen extends through a window to the backyard. The basalt path in the house continues outside and up the outdoor stairs.
Because the residents wanted lighting “to fade away,” the home makes the most of natural light and minimizes fixtures. Each room has two sources of daylight, usually in the form of floor-to-ceiling windows and skylights. Fluorescent lights integrate into the surface of the skylights so they don’t protrude into the space.
The kids' bedrooms feature custom bunk beds with homework stations underneath.
Large sliding doors connect the living room to both the courtyard and a covered porch on the western side of the house.
A stepped concrete garden planted with herbs and flowers marks the descent to the house. The courtyard is the focal point of the U-shaped structure; there is clear visibility between the kitchen on one side and the children's bedrooms on the other.
Stained cedar, ipe, and concrete form the palette of this modern, verdant 2,500-square-foot home in Kansas City. Indigenous wildflowers and native grasses grow on top of the structure; this planted roof also helps insulate the home and limited its energy needs.
The Viking Pencil Factory Loft's floorplan.
