superrkül dubbed this project the Stealth Cabin because it's hidden in the landscape and will continue to recede in view over time. Photo by Shai Gil.
When Oslo-based architect Marianne Borge was approached in 2004 by a client who wanted an actual cabin rather than a second home, she was instantly inspired by the challenge of working on a smaller scale. The home, called Woody35, has a distinct shape that makes it stand out from its surroundings despite the modest size of the building.
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The House for a Musher is all about taking advantage of its hilltop site. The courtyard in the front has vast views and the house itself is oriented toward the surrounding landscape.
Subtle features incorporated into the design, including an elevated terrace and jetty, help the home float above the island.
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Large sliding glass doors allow daylight to fill the living room. Smaller windows are placed in the kitchen area and the sleeping loft. The exterior is clad in heart pine which needs very little up-keep and is known for its strength and hardness.
Rocks that were unearthed while digging the foundation make up the hardscape in the rear, beyond the open porch. “It’s one of my favorite parts of the house,” says resident Laura Sohn. Sanders Pace Architecture finished the exterior in western red cedar treated with Sikkens Cetol.
Sævik compares her house to a contemplative hideout. “It’s very quiet,” she says. “You can concentrate and let thoughts fly.” Her favorite summer pastimes include reading, painting, drawing, yoga, and “just sitting and feeling the forest,” she says.
The site needed a path that would let residents easily ascend from the bank to the house. The architects created one by simply replicating the way they had naturally walked up the site the first time they visited. The result is a meandering trail that directs visitors to the landscape’s different features — whether a majestic Arbutus tree, a private stone beach, or a wildflower clearing.
The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik.
Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.
The facade consists of exposed concrete, Galvalume roofing, and cedar or torrefied wood coating. The homes are carefully positioned to keep other structures out of sight.
Philip Jodidio's Cabins (Taschen, November 2014) chronicles how architects have explored the concept of a minimal, low-impact, and isolated abode. The book features photographs, illustrations, and text detailing projects from around the world.
“They wanted the new cabin to make a ‘L’ shape with the older cabin, but I convinced them to mimic the old cabin on the opposite side,” architect D’Arcy Jones says. “So the new site has two buildings across from each other, like an equal sign.” Birch trees grow between the cabins in a shared courtyard.
“Their lives revolve around ocean activities, reading, music, and good food and wine,” Jones says of the owners. “The new house I designed is just for them," such as with this sheltered outdoor areas where gear can be stored; the ceilings above are also Douglas fir.