At the north end of the living room, a sliding barn-style door opens to reveal the primary suite. Ken and Joan love to entertain, so a large, comfortable sectional was a must. Positioned in front of the custom fireplace, it’s a popular after-dinner gathering place when it’s too cool or rainy to venture outdoors.
A closet features sleek built-in storage.
The tile looks vintage, but was selected and installed as part of the renovation. On the vanity: Kristall Tumbler in Blush by Decor Walther from the Oliver Thom Store.
In the kids bathroom, Ceramica Vogue tile in multiple colors brings a youthful quality. Countertops are by Concrete Collaborative.
A covered breezeway connects the main house and the guest house. Here, Legge took the opportunity to play with perspective, framing part of a tree and the sky with an abstract roof cutout.
In the bathrooms, a different variety of plaster was employed: Moroccan Tadelakt, selected for its waterproof application. (“You see it in most hammams,” says Grimshaw, who had spent time working in Morroco.)
A terracotta vanity expands across the full length of the bathroom.
Built in 1937, Taliesin West was an experiment in desert living that evolved at the hands of master architect Frank Lloyd Wright and his apprentices until he passed in 1959. Conceptualized as a refuge from the harsh winters of the Midwest, the complex—which grew to include a drafting studio, dining facilities, three theaters, a workshop, Wright’s office and private living quarters, and apprentice and staff residences—takes direct inspiration from the arid landscape.
The bright living room incorporates some of their own furniture prototypes with treasured midcentury collectibles. The T-square on the wall came from the estate of Albuquerque architect George Pearl; the hanging textile opposite is by fiber artist Romeo Reyna. The Finn Juhl chair comes from another estate sale, while the lights were made from standard, off-the-shelf parts. Darci and Dale also built the console and coffee table.
FMT Estudio gives a stark and dated dwelling a playful renovation that embraces the sunny climate with lush courtyards and a poolside veranda.
Lee Buchanan of Lee Build created a screen of white ash slats beside the kitchen as well as the entry. "The stairs are beautifully integrated into the kitchen so the kids and I are always talking and someone is always sitting on the bottom steps,
Natalie and Lauren wanted to replicate the feel of a Zen garden with their home’s central courtyard. The garden features a Japanese maple that pops against the charred timber cladding, while structurally, the U-shape design ushers light right through to the back of the house.
"You can see that language is still there with the sort of two pitched roofs. There is another pitched roof behind that as well, which is the main extension at the back of the house, but you can't really see it from the street,
On the opposite wall, a green mesh cabinet for shoes is paired with a wood and metal seating bench. The entry door also has a green mesh detail: a panel that's operable, so the smaller door can be opened when receiving packages.
“I’ve done shelves in front of windows here and there throughout my life,” says Lanigan, who grew up in a hippie commune in the ‘70s, where plants were always hanging in the windows. “I grew up in a geodesic dome my parents built. That organic ‘70s design is very much a touchstone for me.” Beside nostalgia, this choice offers extra accessible shelving and blocks a boring driveway view while still letting in light.
In the bathroom closest to their daughter's bedroom, the owners made the shower accessible to a wheelchair.
The architecture firm’s in-house joinery company, Fraher and Co, incorporated storage spaces throughout the home. Beneath the kitchen bar, a birch plywood bookcase holds the chef’s collection of cookbooks and music. Shelves flanking the oven also store and showcase dishes, glasses, and wine bottles.
The Glass House, only 16 feet in diameter with its bed suspended from the ceiling, served as Muennig's only dwelling for over a decade.
The first of three separate buildings on the property, the Glass House, dates to 1975 .
The side patio doubles as a parking spot for a custom-built 1970 Honda CB750.
In addition to a large terrace, the suites on the ground floor also come with small, private pools.
A second green roof is planted with sedum and plays host to one of the family’s favorite spots: a hammock. Bentheim suggested adding a trellis overhead to soften and balance the appearance of the facade.
Lofted amid eucalyptus and oak trees, Graham Paarman’s house is a glassed-in, steel-frame structure with a veil of vertical slats. Excluding outdoor areas, it measures about 720 square feet.
Turning a shipping container into a home is rarely as simple as it sounds, but design studio LOT-EK set out to prove that these vessels could become the raw material for an efficient prefab construction process with a house in upstate New York. Victoria Masters, Dave Sutton, and their daughter, Bowie, live in the six merged containers.
Mazpazz Arquitectur
A section of the facade—a cross between a shoji screen and a barn door—slides open. Planter boxes contain edible varieties that fuel Mary’s culinary explorations.
Furniture designer Tom Deacon teamed up with pal and architect Andrew Jones to renovate his Toronto townhouse. “Architects tend to think of the building first, the interiors second, and last, the furniture. Our approach was the opposite,” Jones says.
A large open skylight floods the heart of the home with natural light, even in winter months, and creates an interesting play between interior and exterior space in the main living area.
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