The Floating Farmhouse’s semitransparent addition has a roofline that matches the pitch of the original 1820s farmhouse. A porch, tucked under the side eaves, is cantilevered over a stream that runs through the property. Ikea loungers are illuminated from the interior by commercial gymnasium lights repurposed as pendant lamps.
The Floating Farmhouse’s semitransparent addition has a roofline that matches the pitch of the original 1820s farmhouse. A porch, tucked under the side eaves, is cantilevered over a stream that runs through the property. Ikea loungers are illuminated from the interior by commercial gymnasium lights repurposed as pendant lamps.
“When you’re working on something inexpensive and then decide you don’t like it, fine. You’re not tearing down millions of kroners worth of work.” —Mette Lyng Hansen
“When you’re working on something inexpensive and then decide you don’t like it, fine. You’re not tearing down millions of kroners worth of work.” —Mette Lyng Hansen
"Architecture exists through states of contrast; the building as a bridge between a wooded forest and a field, a strong roof line against a backdrop of trees or mountains. In these states of contrast we truly start to see where we live." -Architect Steve Kredell
"Architecture exists through states of contrast; the building as a bridge between a wooded forest and a field, a strong roof line against a backdrop of trees or mountains. In these states of contrast we truly start to see where we live." -Architect Steve Kredell
A glass-lined shower with a Hudson Reed showerhead adds a modern touch to the second-floor bathroom. A pane of privacy glass lets natural light enter the room.
A glass-lined shower with a Hudson Reed showerhead adds a modern touch to the second-floor bathroom. A pane of privacy glass lets natural light enter the room.
In the existing house, the wood beams were hidden under sheetrock and wallpaper. "I exposed them all, but I didn't let that dictate where the new walls would go," Givone says. "I let the beams fall where they may."
In the existing house, the wood beams were hidden under sheetrock and wallpaper. "I exposed them all, but I didn't let that dictate where the new walls would go," Givone says. "I let the beams fall where they may."
Four distinct structures make up the house. Their design echoes the shape of an older, gabled-roof building already on site. “We considered the neighboring construction quite interesting in terms of scale and layout,” de Carvalho says. “Due to the proximity, we felt the necessity to integrate it in the design.”
Four distinct structures make up the house. Their design echoes the shape of an older, gabled-roof building already on site. “We considered the neighboring construction quite interesting in terms of scale and layout,” de Carvalho says. “Due to the proximity, we felt the necessity to integrate it in the design.”