Interior walls were repainted and flooring was repaired, but the master bathroom received the most attention in the existing house. The renovation included marble mosaic floor tiles, fixtures by Blu Bathworks, and Silestone countertops.
“The backyard, which was kind of the focus of the project, was overgrown and quite disconnected from the house itself,” said architect Nigel Parish. The glass doors of the addition open onto a patio and lawn where the kids can play.
“Durability drove the selection of metal panels,” Schaer says of the home’s industrial exterior. Manufactured by AEP SPAN from corrugated cladding, it looks like zinc but costs significantly less. It also contrasts nicely with the natural siding and trim. “All of the wood inside and out is Douglas Fir, the predominant wood species in the northwest,” Schaer explains.
This archetypal Swedish building form, shaped like a Monopoly house, serves as an artist’s studio, with a simple plywood interior and massive skylights to let in natural sunlight.
Landscape architect Tait Moring installed pavers around the structure’s perimeter and kept the tree cover intact. Photo by: Kimberly Davis
The restrained 820-square-foot interior is defined by the angular ceiling. Garlick left the prefabricated structural panels unfinished to save on material costs. A True North wood stove from Pacific Energy heats the house. Max, the family’s cat, naps on a vintage rug purchased on eBay.
The series of pitched white buildings was inspired by the work of architect Hugh Newell Jacobsen. “The shell of the house is a very simple form,” says Matthew Ford, “no turns or intersecting roof sections. This allowed me to use solid but inexpensive framing and roofing crews. We are always looking for the point where simplicity and luxury meet.”