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Kitchen Ceiling Lighting Marble Counters Design Photos and Ideas

The new kitchen, part of the reconstructed extension, takes advantage of ample glass.
The design team restored the cork floors. The island lights are Sven Middleboe for Nordisk and are original to the house. The counters are Ceppo Di Gre Marble and the door to the restored pantry is painted Tarrytown Green by Benjamin Moore, and given a porthole window with reeded glass.
An arched opening was added to connect the kitchen and breakfast nook, and gain sightlines to the yard. Seamus refinished the fireplace mantle and added square zellige Zia tile in ‘Nana’s Lipstick’ to the surround. Gubi Semi Pendants hang over the island, and the sink has a Devol Ionian Bridge Tap.
The Alden Mason House, built for Seattle artist Alden Mason in 1958, features a sloping roof and a surrounding outdoor deck, maximizing natural light amidst its wooded setting.
"The marble was chosen to complement the tones of the timber floors,
Skylights allow for sun to reach the inside of the home, while providing views of the sky and wildflower roof.
This home that was built atop of home constructed in World War I is completely reimagined by Daniel Rabin and Annie Ritz of local architecture and design firm And And And Studio. Details like fluted white cabinetry in the kitchen give this LA home a posh look.
Lights in the sauna reveal when it’s in use.
The pantry lines the wall to the right.
The small home was purposefully designed to accommodate entertaining friends. Much of the entertaining took place in the central kitchen, which is connected with the outdoor spaces and has views beyond the laneway.
The kitchen work surface is crafted from terrazzo from InOpera, a company that reuses marble offcuts.
“I studied architecture as an undergrad, and even though I’m in interiors now, that education of not overpopulating spaces, of letting the building be seamless, has always carried through for me,” says Caroline.
Reimagined by architect Lisa Breeze, this compact semidetached brick home in Melbourne was built by the client's granduncle in the 1940s and passed down through generations. While the kitchen was updated to fit a modern lifestyle, the pastel color, gentle curves, and preserved Bakelite handles are a nod to the original era.
A result of a small gap between appliances, the Vertical Bar Block has since become a signature example of how Henrybuilt systems are architecturally integrated to maximize every bit of usable space.
In the kitchen, the couple kept the original cabinets and "beautiful, custom-rolled stainless-steel counters,” says Christine. They updated the island counter, flooring, and backsplash, adding Foro marble, Concrete Collaborative tiles, and Cle tile, respectively.
Alessia’s favorite detail? “I am not a huge fan of handles, so there are only three cuts [in the cabinetry] which lets you open six doors.”
A large g<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">lass door at the rear of the home ties the open-plan kitchen, dining, and living areas on the first level to a sun-drenched courtyard filled with plantings.</span>
A look at the kitchen, situated adjacent to the dining area.
A wall was removed so the two main living spaces now flow together. In the spirit of reuse, the curtains are fabric recycled from stage backdrops.
Virtue Joinery built the custom cabinetry, composed of plywood stained a soft grey.
The counter and backsplash are made up of a marble slab leftover from a bigger job.
On the main level, Alessia relocated the kitchen into what was a large bedroom, so as to give the kitchen more functionality and connect it to the living room. The cooktops can pivot up against the backsplash to create more prep space on the counter.
The backsplash and counters are marble, which will patina overtime. The couple found the handwoven rug while traveling in Morocco.
A dramatic Cle’ Zellige tile wall tastefully infuses the open space with another layer of color.
After: By knocking out a wall and building a new island, the kitchen flows more cohesively into the living room and dining room. The
When choosing an apartment to buy off-plan, one of the deciding factors for Jono was the size of the kitchen. "I noticed a lot of new apartments had extremely small kitchens,
The backsplash is covered in Clé Tile, and the counters are Carrara marble.
8. "How often do I like to communicate with my realtor and what's the best way to do so?" "Your agent should know how you like to check in and by what method—text, email, or phone,” explains Hoffman. “The biggest complaints we hear from clients who have worked with other agents is that their agent did not communicate with them in the way they wanted."
Kasey and Nick chose to keep the long, reclaimed-marble countertop in the kitchen, which had been renovated by the previous owners of the 1954 Wendell Lovett home.
The curved blue kitchen larder has a projecting “nose” that illuminates the worktop and a mirrored eye that “winks” each time the door is opened.
The kitchen backsplash features pink square Domus tiles framed by turquoise blue Mapei grout. The blue grout echoes the tones of the pale blue pantry and the teal cabinetry.
The quartzite island in the kitchen is a grounding presence beneath the void and a focal point between the dining room and living room. The living room features a Gentry sofa by Patricia Urquiola for Moroso.
A wine refrigerator and wet bar with the same finishes as the kitchen for cohesion brings more function for entertaining. “We use it more than we've ever used it before,” says Shawn. “It is no longer a dumping ground.”
Construction pausing during the pandemic turned out to be a boon: Living in the half-finished space, the couple realized they needed to open up the pass-through to the rest of the house for even more circulation.
A niche was built out for the wall ovens and a coffee counter.
Shawn, who runs Von Walter + Funk, a lifestyle boutique and event creative company, made the pendant lights over the island.
Mouser Cabinetry’s textured laminate flat-front doors were used throughout. The slim, black hardware is Europa by Top Knobs.
The couple chose Thermador appliances from Don’s Appliances. The black Nero Marquina marble counters are in a high honed finish, which kept them from becoming too gray in the finish process.
The Backed Utility Stool from Schoolhouse Electric in Sergeant Green now lines the island, offering a designated spot for guests to hang out while Jamie cooks.
The architects created built-in storage to show off Frank and Amy’s extensive LEGO collection. A glimpse of the couple’s collection can be seen on the left.
The cabinetry in the kitchen is rift-sawn, dark-stained white oak that complements the ceilings and contrasts with the white walls. The dark-pigmented concrete floors were intentionally left untreated in order to convey a sense of time. “As the home ages, the floor ‘records’ the construction process, foot traffic, wine spilled at birthday parties, drips of olive oil from anniversary dinners, watermarks from relaxing showers, and so on,” says architect Hunter Gundersen. “Every action will be subtly set in stone before it’s quickly cleaned up or swept away. Over the years, a patina of life will build up, adding depth and beauty to the interior.”
The kitchen features a marble backsplash and a precisely placed window. The floors and internal walls are also crafted from clay and concrete.
The light in the kitchen is Supernova by Delta. “We explored the historical idea of how traditional native dwellings had a fire at the centre of the house around which everything gathers,” says architect Trevor Wallace. “The idea of an ‘oculus’ came from this and we thought it would be fun to play off that and provide this oculus-like light that is effectively the centre point of gathering within the home.”
The large kitchen is a space for the family to gather, with a stone-look porcelain benchtop and splashback from Stone Tile. “The clients wanted the stone in the kitchen to feel natural rather than dramatic,” says architect Trevor Wallace. “It's large format porcelain, though, as I don’t think they would have been able to handle the level of patina that would have developed on a natural stone when cooking with children!”
The sleeping quarters and a family room are located down the hallway.
The backsplash in the kitchen is a frameless sliding window that offers natural cross ventilation. It currently frames the ti-tree fencing, but as the landscaping grows greenery will be visible.
The material palette is subtle, with a few feature elements. In the kitchen, for example, white cabinetry matches the wall finish for a seamless appearance, while the marble countertop is a nod to the owners’ Italian heritage and provides a natural focal point for entertaining.
This area is made for coffee, wine, and other beverage needs, complete with drawers for equipment. A Danby Silhouette Beverage center sets the scene.
The timber used in the scaffolding and off-cuts from the framing were kept and redeployed for furniture and accents on the walls—such as the timber block in the primary kitchen.
Marble covers the backsplash, and new upper cabinets inset with fluted glass were added.
The stainless-steel elements, including the counter and cabinets, were also kept in place for their industrial character. The island was reworked and topped with marble.
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