This garage space uses iconic checkerboard floor tiles to contrast the rustic barn door that provides entry to the rest of The Barn.

Another view of the garage reveals its extensive space to house vehicles and protect them from the elements.

Two pieces from E15’s Shiraz sofa flank the company’s wooden Leila side tables. Hill chose to use flat paint in Benjamin Moore’s Decorators White throughout the home because it emphasizes the chalkiness of the plaster walls, making them “look almost like slate.” The sconce shown in the foreground—David Chipperfield’s Corrubedo design for FontanaArte—gives off a soft glow and replaces the dozens of paper-lampshade wall fixtures the owners found in the house when they bought it. Stewart Cohen’s zany photograph of a gun-toting Marfa resident encapsulates Barbara Hill’s offbeat brand of decorating: bright and minimal, yet darkly humorous.

While the original home was dark, like other homes of its period, the addition allowed Andrews and his team to let in an abundance of natural light.

The façade of the interwar dwelling was painted bright white and left largely unchanged, with a sole burst of color coming from a yellow DesignByThem “tomtom” letterbox. Though the extension is invisible from the street, architect Christopher Polly says it provides “significant additional freedom for the owners and their three young children to grow into.”

Photos By Rob Turner Photography

500eby Fiat Like Smart cars, Fiats are practically Lilliputian—ideal for wedging into tight parking spaces. An electric version of the popular retro-inspired car is available in California as of this summer. After a four-hour-long full charge, the zero-emission vehicle travels about 87 miles. The car’s accompanying mobile app locates the nearest charging station—useful for those trips into unfamiliar territory. fiatusa.com

Although the built-in storage eliminated the need for a lot of furniture, classic items like the Eames walnut stool and Executive Aluminum Group chair, and De La Espada's 011 Atlantico bed.

Situated on a sloped-site, each renovated space provides a unique perspective and vista to the dramatic natural surroundings. The office, with its stark modern furnishings and subtle artwork, allows the large window to serve as perhaps the most dramatic, singular frame to the foliage beyond.

The entryway leads into the living room, and a low wall hides the staircase that leads to the lower level from view.

The original home’s second floor had three bedrooms with flat ceilings. Arch11 quickly realized there was a great volume in the upper floors at the gable ends of the home and chose to integrate the attic space into the second floor. This design move allowed the interior to be informed in part by the exterior while creating a bright, serene living space among the treetops.

In order to save space, Barrett designed custom storage under the shortest part of the sloped roof. "The custom millwork was a big ticket item, but critical to making the suite feel spacious," Barrett says. "Built- in storage is good value for the money because it allows you to harvest previously unusable space and it allows a smaller space to feel larger since you don’t need a lot of furniture.

Thanks to the extension’s vaulted ceiling, the master bedroom and minimalist staircase have views of the sky. Polly admits to having sacrificed floor area so that the full-height stairwell could achieve a stronger connection with the outdoors. Toyo Ito Mayhuma pendants hang from the ceiling, accentuating the space’s dramatic height.

In one of the three bedrooms, Wright designed a built-in desk and graphic chair. The angular windows and skylights are continued into the bedrooms.