Collection by Erika Heet

Tiny Windows

Sometimes you want to let the whole world in and other times…not so much. Here, we celebrate the architectural antidote to floor-to-ceiling glass: the tiny accent window.

When the Zimmerman family settled in Seattle, Washington, in the late 1990s they bought a 1,100-square-foot Craftsman built in the 1920s. Fast-forward to today. Not wanting to leave their beloved neighborhood, but hurting for space, they enlisted the help of local design-build firm Ninebark to create a separate living area. Working from sketches that the residents had from their uncle, Gary Schoemaker, an architect in New York, Ninebark realized a refined structure that serves as a playroom, office, and guesthouse for visitors, complete with a kitchenette and full bathroom.
When the Zimmerman family settled in Seattle, Washington, in the late 1990s they bought a 1,100-square-foot Craftsman built in the 1920s. Fast-forward to today. Not wanting to leave their beloved neighborhood, but hurting for space, they enlisted the help of local design-build firm Ninebark to create a separate living area. Working from sketches that the residents had from their uncle, Gary Schoemaker, an architect in New York, Ninebark realized a refined structure that serves as a playroom, office, and guesthouse for visitors, complete with a kitchenette and full bathroom.
Megan Lea built a backyard retreat with reclaimed materials figuring prominently into the design. What resulted is a polychrome of salvaged 100-year-old barnwood by West Salem-based Barnwood Naturals that makes the facade of this Bernard Maybeck-inspired design as unique as it is environmentally friendly.
Megan Lea built a backyard retreat with reclaimed materials figuring prominently into the design. What resulted is a polychrome of salvaged 100-year-old barnwood by West Salem-based Barnwood Naturals that makes the facade of this Bernard Maybeck-inspired design as unique as it is environmentally friendly.
Outside, the couple clad the house with a rain screen of 1.5-by-1.5-inch strips of spruce to create a “modern rustic barn.” The extra-deep sills of the first-floor window become a bench on the outside and a shelf on the inside.
Outside, the couple clad the house with a rain screen of 1.5-by-1.5-inch strips of spruce to create a “modern rustic barn.” The extra-deep sills of the first-floor window become a bench on the outside and a shelf on the inside.
Adding 290 square feet to this already small (just 566 square feet) black A-frame in Brecht, Belgium, was all the local building ordinances allowed, but the architects at dmvA found that a single wing extended out to the side gave resident Rini van Beek all the storage and living space that she needs.
Adding 290 square feet to this already small (just 566 square feet) black A-frame in Brecht, Belgium, was all the local building ordinances allowed, but the architects at dmvA found that a single wing extended out to the side gave resident Rini van Beek all the storage and living space that she needs.
Stripping paint to reveal the beautiful riveting and aluminum was one the hardest but most rewarding tasks.  To me, revealing the structure and construction honors the original craftsmanship that went into this trailer.
Stripping paint to reveal the beautiful riveting and aluminum was one the hardest but most rewarding tasks. To me, revealing the structure and construction honors the original craftsmanship that went into this trailer.
The charred cedar exterior gently basks in the Alaskan sun.
The charred cedar exterior gently basks in the Alaskan sun.
The architects discreetly sunk a pool into the roof terrace of the old corral. In order to shade part of the terrace, the architects designed a freestanding sun shelter. So as not to damage the outer walls of the old building, a galvanized-steel frame is secured to the terrace floor. A bamboo-reed covering projects a soft, filtered light onto the outdoor living area below.
The architects discreetly sunk a pool into the roof terrace of the old corral. In order to shade part of the terrace, the architects designed a freestanding sun shelter. So as not to damage the outer walls of the old building, a galvanized-steel frame is secured to the terrace floor. A bamboo-reed covering projects a soft, filtered light onto the outdoor living area below.
The Pine Plains, New York, home of Elise and Arnold Goodman boasts 48 windows, the largest of which measures 8'6'' by 7'6''. As architect Preston Scott Cohen explains, the "free facade makes it impossible to identify how many levels there are, or even to tell the difference between a door and a window." From without, the windows reveal dramatic glimpses of the 18th-century barn farm and new steel structure that support the house. From within, says Elise, "Each season, each time of day, offers a different view of the world. It's spectacular."
The Pine Plains, New York, home of Elise and Arnold Goodman boasts 48 windows, the largest of which measures 8'6'' by 7'6''. As architect Preston Scott Cohen explains, the "free facade makes it impossible to identify how many levels there are, or even to tell the difference between a door and a window." From without, the windows reveal dramatic glimpses of the 18th-century barn farm and new steel structure that support the house. From within, says Elise, "Each season, each time of day, offers a different view of the world. It's spectacular."
Architect Brian White clad the new second story of his formerly dark and cramped ranch-style home with a black-stained cedar rain screen. The large opaque window lights up the stairwell and the second floor.
Architect Brian White clad the new second story of his formerly dark and cramped ranch-style home with a black-stained cedar rain screen. The large opaque window lights up the stairwell and the second floor.