WORKac (also known as PUMPac) won the Lucifer's Lantern Award for their inside-out light-up pumpkin.
Photo by Sam Lahoz
WXY architecture + urban design drilled pixilated see no evil/hear no evil/speak no evil monkey emojis into their pumpkin.
The Spookiest Spirit prize went to MVVA's whiskey-spiked, cider-filled pumpkin
Photo by Sam Lahoz
SITU Studio's concrete pumpkin void won the prized Pritzkerpumpkin!
Photo by Sam Lahoz
“Where evil sleeps” – Rockwell Group carved the most evil buildings: the Death Star, Bates Motel, and Trump Tower.
KPFF's pumpkin piloti house.
Photo by Sam Lahoz
SO-IL created some festive Pumpkin Spice Terrazzo.
Pritzkerpumpkin-winning SITU Studio cast their pumpkin in concrete.
STUDIOS Architecture (also known as BOO!-dios Architecture) carved a Guggenheim Gourd.
SOFTlab won the Best Vomitorium Award for their pumpkin representation of firm principal Mike Szivos vomiting a parametric pumpkin pattern.
Photo by Sam Lahoz
Marpillero Pollak Architects' carved the interior and exterior of Le Corbusier’s Ronchamp onto their pumpkin.
Photo by Sam Lahoz
Jaklitsch/Gardner's Sydney Opera House, constructed of pumpkin slices, was the recipient of the Malignant Mimic Prize
Studio Gang's drilled pumpkin.
The People's Pumpkin went to ROGERS PARTNERS Architects+Urban Designers for their pumpkin half-houses, designed in honor Pritzker prize-winner Alejandro Aravena's social housing work.
The running of the pumpkins - at the sound of a witche's cackle, firms ran to collect their ideal pumpkins from the Center for Architecture pumpkin patch.
Photo by Sam Lahoz
Bernheimer Architects' Carlo Scare-pa’s Castelzuccavecchio won the Most Obscure Scarpa Reference Prize
The Center for Architecture's Archtober Pumpkin
Photo by Sam Lahoz
Büro Koray Duman drilled iconic NYC buildings into their gourd.
The audience mingled as contestants competed to carve a winning pumpkin.