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Collection by Nikole

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Olson worked with Jessie Sweet to design the interiors. The kitchen hosts cabinetry from Oregon Custom Cabinets and a specialized window is integrated into the backsplash.
Olson worked with Jessie Sweet to design the interiors. The kitchen hosts cabinetry from Oregon Custom Cabinets and a specialized window is integrated into the backsplash.
Cement panels painted a plum hue clad Jason Gordon’s 1,157-square-foot cabin in the Ozark Mountains. Architect German Brun and partner Lizmarie Esparza originally specified wood, but opted for the much less expensive material from James Hardie after contractor Damian Fitzpatrick recommended it. “It was an exercise in cost engineering,” Brun says.
Cement panels painted a plum hue clad Jason Gordon’s 1,157-square-foot cabin in the Ozark Mountains. Architect German Brun and partner Lizmarie Esparza originally specified wood, but opted for the much less expensive material from James Hardie after contractor Damian Fitzpatrick recommended it. “It was an exercise in cost engineering,” Brun says.
Prayer flags flutter alongside Leinicke and Navitsky's house, which was designed by Steve Bull to require very little upkeep, both inside and out.
Prayer flags flutter alongside Leinicke and Navitsky's house, which was designed by Steve Bull to require very little upkeep, both inside and out.
Zen Barn - Architects Challenge 2014 The design of the Zen Barn in Ottawa embraces the materials, methods, and forms of traditional northeastern rural architecture while adding a definitive modern twist. Architects: Rick Shean and Christopher Simmonds; Architecture Firm: Christopher Simmonds Architect Inc.; Photo by Peter Fritz #marvin #windows #doors #barn #zen #architectschallenge
Zen Barn - Architects Challenge 2014 The design of the Zen Barn in Ottawa embraces the materials, methods, and forms of traditional northeastern rural architecture while adding a definitive modern twist. Architects: Rick Shean and Christopher Simmonds; Architecture Firm: Christopher Simmonds Architect Inc.; Photo by Peter Fritz #marvin #windows #doors #barn #zen #architectschallenge
Gatineau Hills - Architects Challenge 2014 Inspired by its environment, the Gatineau Hills home exhibits an alluring balance between nature and modern design. Architects: Rick Shean and Christopher Simmonds; Architecture Firm: Christopher Simmonds Architect Inc.; Photo by Peter Fritz #marvin #windows #doors #architecture #exterior #gatineau #architectschallenge
Gatineau Hills - Architects Challenge 2014 Inspired by its environment, the Gatineau Hills home exhibits an alluring balance between nature and modern design. Architects: Rick Shean and Christopher Simmonds; Architecture Firm: Christopher Simmonds Architect Inc.; Photo by Peter Fritz #marvin #windows #doors #architecture #exterior #gatineau #architectschallenge
Golden View Residence The rear balcony of the Golden View Residence offers sweeping vistas from a home that stretches along the Anchorage hillside like a palatial treehouse. Architect: Steven Bull; Architecture Firm: Workshop AD; Photo by Kevin G. Smith #marvin #windows #doors #casement #indoor #outdoor #transition #architectschallenge
Golden View Residence The rear balcony of the Golden View Residence offers sweeping vistas from a home that stretches along the Anchorage hillside like a palatial treehouse. Architect: Steven Bull; Architecture Firm: Workshop AD; Photo by Kevin G. Smith #marvin #windows #doors #casement #indoor #outdoor #transition #architectschallenge
Alaska. This condominium building brings a modern energy to Anchorage. Each unit, designed by Mayer Sattler-Smith, is oriented to maximize natural light.
Alaska. This condominium building brings a modern energy to Anchorage. Each unit, designed by Mayer Sattler-Smith, is oriented to maximize natural light.
Sheets of unframed glass fill the spaces between the building’s operable windows and the sloping eave of the roof, giving the house, as architect Alan Organschi puts it, “the feel of coming apart at the seams—of surfaces unhinged.”
Sheets of unframed glass fill the spaces between the building’s operable windows and the sloping eave of the roof, giving the house, as architect Alan Organschi puts it, “the feel of coming apart at the seams—of surfaces unhinged.”
The structure is divided into two solid vertical volumes connected by glazed living areas. The cedar cladding and steel panels reflect the hues of the surrounding forest.
The structure is divided into two solid vertical volumes connected by glazed living areas. The cedar cladding and steel panels reflect the hues of the surrounding forest.
This photo of Sævik Retreat, a 1960s artist’s retreat in southeastern Norway designed by Irene Sævik (featured in Dwell in November 2013) will be displayed in the Scandinavian pavilion at Dwell on Design in Los Angeles. Photo by Ivan Brodey.
This photo of Sævik Retreat, a 1960s artist’s retreat in southeastern Norway designed by Irene Sævik (featured in Dwell in November 2013) will be displayed in the Scandinavian pavilion at Dwell on Design in Los Angeles. Photo by Ivan Brodey.