minimal

For their new kitchen, Michaël Verheyden and Saartje Vereecke incorporated a Smeg cooktop, oven, and range hood, stainless steel cabinets from Habitat, and personal accessories like a prototype goblet.

These initiatives on state ballots will decide questions about rent control, property tax, and urban development.

In the main living area of Frank Nederhof’s renovated Amsterdam flat, a geometric sculpture by Antonino Sciortino hangs above an Erik Kuster sofa. The coffee tables are made from fossilized wood so heavy that each one requires two people to lift it.

The facade of the three-bedroom house sports a series of extruded pine boxes, which create sheltered spaces that stand up to the area’s fluctuating weather. The owners, Isaac Pineus and Andrew Duncanson, spend summers here with their twin sons.

Storey calls this house the “Eel’s Nest,” after the narrow urban properties that go by that name in Japan. Its façade was originally going to be wood, but because of local building codes and the fact the building is built along the edge of the property line, the exterior had to be fireproof. Storey covered it with stucco instead. “I wanted it to look as rough as possible,” says the architect. “Since it’s such a small house, it needed to be tough-looking.” The workshop at ground level measures less than 200 square feet, but is set up to accommodate any kind of woodworking or welding; when not in use, the architect parks his car inside.

The owners’ goal was to transform the 19th-century building into a bold single-family residence. Historical architectural details were made modern with a striking black facade, while inside, a flexible living space that opens into an exterior garden enables a simplified lifestyle.

Jason lounges in one of two armchairs by midcentury designer Milo Baughman in the parlor-floor living room. The wood block coffee table is by Eric Slayton, a friend of the couple, and the modular Carmo sofa is from BoConcept. A 1952 piece by French industrial designer Serge Mouille, the Three-Arm Floor Lamp—widely referred to as the "Praying Mantis," for its looming trio of arms—is a nod to the couple’s love of Parisian interiors; a branch-like chandelier by Los Angeles–based artist Gary Chapman hangs overhead.

Julie Torres Moskovitz, who designed New York’s first certified Passive House, recently finished her first book, The Greenest Home (Princeton Architectural Press), about the first wave of ultragreen homes in the United States (following the 40,000 already constructed in Europe). The title hits shelves in May 2013. Here, a custom stainless steel stair with treads of perforated steel replaces the old wood staircase in the rehabbed Park Slope brownstone.

Located in Chicago’s West Town, the concrete shell of Upton’s Naturals headquarters was erected in just 48 hours.

Nakada works from an Alvar Aalto table in the living and dining area, adjacent to the kitchen. He saved on some elements, such as the plywood cabinetry, and splurged on others, such as the Finn Juhl chairs and Vilhelm Lauritzen lamp. A skylight beneath the angled roof allows in a sliver of constantly changing light.

“The kitchen is the room we use the most,” Sofie says. The dark gray walls and tonal accents make it cozy and cave-like, while natural illumination and light-toned accessories introduce airiness and circulation. Even in the colder months, the Egelunds spend most of their time there, and Sofie maintains that the stark darkness makes it a homey place to entertain guests and spend time with the family. “And,” she adds, “you can always go to the other floors if it gets too dark!” The kitchen island, shelves, glass, and ceramics are by Vipp.

Designers Christopher Robertson and Vivi Nguyen-Robertson conceived their house as an unfolding sequence of simple geometric forms: a low concrete wall, a concrete cube, and a boxclad in Siberian larch.