Collection by John Schlue
Living room
Native Texans and married designers Elizabeth Alford and Michael Young came home to roost 10 years ago, when they ditched big-city life in New York for a ranch house in Austin. The couple immediately knew that the home, originally built by architect Jonathan Bowman in 1957, would need a remodel, but realized that a complete restoration would be too costly and perhaps "not that satisfying" for the designers to work solely within the existing structure. So they stripped it down to the footprint and rebuilt, shaping a family home that would reflect both the hypermodern lives they left in New York City and the deep-rooted cultural heritage that comes with growing up in Texas.
Artist Cori Creed stands in the kitchen of the vacation home in rural British Columbia that she and her husband, Craig Cameron, built with their friend and architect, Kevin Vallely. Cori made the ceramic dinnerware and pendants, while Craig built the kitchen island and installed the plywood ceiling with the help of his stepfather.
The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.
The living room occupies the middle volume and has a cathedral ceiling. “It’s the largest room in the house and has the best views,” the husband says. “It’s where we entertain and encourage the kids to be with family.” Sliders open to the concrete terrace where they gathers every night to watch the sunset. The landscape is by Australian-American photographer Brooke Holm.
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