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Collection by Robbie Sybico

K i t c h e n

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Japanese designer Keiji Ashizawa says of his leaning wall shelf ($49.99), "With my furniture, you can enjoy small spaces, make good use of corners, and keep things organized at the same time.”
Japanese designer Keiji Ashizawa says of his leaning wall shelf ($49.99), "With my furniture, you can enjoy small spaces, make good use of corners, and keep things organized at the same time.”
A restoration by Scott and Scott Architects of a 1950s post and beam home located at the base of Grouse Mountain on Vancouver's north shore. Scott and Scott explains: "The house, while extensively renovated over the years, had a modest scale, well proportioned rooms and a strong connection to the wooded and mature yard. The project consists of the design and construction of the restoration and renovation of the 150 sq. m house. The living space was stripped of embellishments, services rationalized and the enclosed stair was replaced with a new open stair of steel and fir which allows for the light from the second floor hall window to connect with the ground floor. The project draws from the architects and clients (two history professors) shared interest in traditional materials and respect for the original details of the house.
A restoration by Scott and Scott Architects of a 1950s post and beam home located at the base of Grouse Mountain on Vancouver's north shore. Scott and Scott explains: "The house, while extensively renovated over the years, had a modest scale, well proportioned rooms and a strong connection to the wooded and mature yard. The project consists of the design and construction of the restoration and renovation of the 150 sq. m house. The living space was stripped of embellishments, services rationalized and the enclosed stair was replaced with a new open stair of steel and fir which allows for the light from the second floor hall window to connect with the ground floor. The project draws from the architects and clients (two history professors) shared interest in traditional materials and respect for the original details of the house.
To complement the white-washed custom cabinetry in her kitchen, architect Julie Salles Schaffer has designed a tile backsplash to resemble "melting butter in a white pan." Daltile arranged her two-color AutoCAD design—white and off-white—onto a mesh backing for a small fee. To soften the edges of the cabinets’ drawers and doors, Schaffer requested radial edging.
To complement the white-washed custom cabinetry in her kitchen, architect Julie Salles Schaffer has designed a tile backsplash to resemble "melting butter in a white pan." Daltile arranged her two-color AutoCAD design—white and off-white—onto a mesh backing for a small fee. To soften the edges of the cabinets’ drawers and doors, Schaffer requested radial edging.
The kitchen of this Brooklyn brownstone features a brick backsplash with a metal panel connecting the Bluestar range to the Viking chimney wall hood. The mashup of materials preserves the personality of brick with the ease of cleaning stainless steel. The island and cabinets are fashioned from remilled Douglas fir beams salvaged from Upstate New York.
The kitchen of this Brooklyn brownstone features a brick backsplash with a metal panel connecting the Bluestar range to the Viking chimney wall hood. The mashup of materials preserves the personality of brick with the ease of cleaning stainless steel. The island and cabinets are fashioned from remilled Douglas fir beams salvaged from Upstate New York.
A couple takes a minimalist approach to their Brooklyn apartment, focusing on supple materials, subtle gradations of color, and custom finishes by local craftsmen. The Mandayam–Vohra family gathers under one of Workstead’s signature three-arm chandeliers, shown here in its horizontal configuration. Bartenschlager designed the white cabinets and is responsible for the walnut counters both on the kitchen island and near the stove.
A couple takes a minimalist approach to their Brooklyn apartment, focusing on supple materials, subtle gradations of color, and custom finishes by local craftsmen. The Mandayam–Vohra family gathers under one of Workstead’s signature three-arm chandeliers, shown here in its horizontal configuration. Bartenschlager designed the white cabinets and is responsible for the walnut counters both on the kitchen island and near the stove.
A Rohl faucet was stripped and replated in brushed brass. The modern fixtures prove a lovely contrast to the American walnut countertops and original Rosenthal dishware.
A Rohl faucet was stripped and replated in brushed brass. The modern fixtures prove a lovely contrast to the American walnut countertops and original Rosenthal dishware.
The Viking gas range is shown in Cotton White and finished in polished brass details to match the Workstead-designed hood.
The Viking gas range is shown in Cotton White and finished in polished brass details to match the Workstead-designed hood.