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Collection by Chris Cantrell

glass menagerie

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Built in 1953, the Wiley House is made up of a single glass-and-wood rectangular pavilion that’s perched on top of a rectangular box made of stone and concrete. Johnson chose the six-acre plot of land himself and was particularly fond of the natural slopes of the site, which is surrounded by hickory trees.
Built in 1953, the Wiley House is made up of a single glass-and-wood rectangular pavilion that’s perched on top of a rectangular box made of stone and concrete. Johnson chose the six-acre plot of land himself and was particularly fond of the natural slopes of the site, which is surrounded by hickory trees.
Built in 1953, the Wiley House is made up of a single glass-and-wood rectangular pavilion that’s perched on top of a rectangular box made of stone and concrete. Johnson chose the six-acre plot of land himself and was particularly fond of the natural slopes of the site, which is surrounded by hickory trees.
Built in 1953, the Wiley House is made up of a single glass-and-wood rectangular pavilion that’s perched on top of a rectangular box made of stone and concrete. Johnson chose the six-acre plot of land himself and was particularly fond of the natural slopes of the site, which is surrounded by hickory trees.
This boutique hotel on Norway's Manshausen Island is made up of four sea cabins—one of which juts out from a natural ledge. Each of them fit two to four travelers or a family of five.
This boutique hotel on Norway's Manshausen Island is made up of four sea cabins—one of which juts out from a natural ledge. Each of them fit two to four travelers or a family of five.
Located in Queensland, Australia, the residence was created by Sarah Waller Design, an architectural studio that’s based in the Queensland suburb of Doonan. The glass pavilion–style home was designed for Sarah Waller and her family and sits on top of a polished concrete slab. Inspired by the midcentury era, it looks out to the Noosa Valley golf course.
Located in Queensland, Australia, the residence was created by Sarah Waller Design, an architectural studio that’s based in the Queensland suburb of Doonan. The glass pavilion–style home was designed for Sarah Waller and her family and sits on top of a polished concrete slab. Inspired by the midcentury era, it looks out to the Noosa Valley golf course.
Wiedemann strongly believes that a window is the threshold between inside and outside, and that it’s important to utilize a selection that emphasizes an open connection with your surroundings—particularly for an artist who depends on natural light. He chose to use Kolbe Windows & Doors' VistaLuxe® Collection, which has clean, narrow site lines that seem to disappear.
Wiedemann strongly believes that a window is the threshold between inside and outside, and that it’s important to utilize a selection that emphasizes an open connection with your surroundings—particularly for an artist who depends on natural light. He chose to use Kolbe Windows & Doors' VistaLuxe® Collection, which has clean, narrow site lines that seem to disappear.
Two art studios adjoin a central volume at this work/live residence built from terracreto (sustainable concrete), glass, and painted steel just outside of San Miguel de Allende, Mexico. Residents Austin and Lida Lowrey, retired design and museum professionals, collaborated with their two daughters—Sheridan, an artist, and Elizabeth, an architect—to design the structure as a place for creative contemplation.
Two art studios adjoin a central volume at this work/live residence built from terracreto (sustainable concrete), glass, and painted steel just outside of San Miguel de Allende, Mexico. Residents Austin and Lida Lowrey, retired design and museum professionals, collaborated with their two daughters—Sheridan, an artist, and Elizabeth, an architect—to design the structure as a place for creative contemplation.
A mosaic tile wall softens the laboratory-like effect of the glossy kitchen cabinets.
A mosaic tile wall softens the laboratory-like effect of the glossy kitchen cabinets.
The pathway from the pool to the house is paved with the same slate that clads the exterior walls.
The pathway from the pool to the house is paved with the same slate that clads the exterior walls.
“It’s never static or solid here—with thelight, there’s always some sort of movement.”—Austin Lowrey, resident
“It’s never static or solid here—with thelight, there’s always some sort of movement.”—Austin Lowrey, resident
Oskar and Karl, 12 and 9, share breakfast at their family’s summer getaway in Sweden. The table is from ILVA, and the CH36 chairs by Hans Wegner are from Carl Hansen & Søn.
Oskar and Karl, 12 and 9, share breakfast at their family’s summer getaway in Sweden. The table is from ILVA, and the CH36 chairs by Hans Wegner are from Carl Hansen & Søn.