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Collection by Deb Bakk

Fireplaces

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The sunken living room is just one of many grade changes inside the structure. “We were adamant that we didn’t want something domestic,” says Andrew. “We wanted something surprising, that was hyper-animated, and that, when you moved through it, changed all the time.” The sofa, designed by the couple and Levenbetts, is upholstered in cotton velvet. The Habibi side tables are by Philipp Mainzer for e15, the fireplace tools by Fort Standard, and the doors by Fleetwood.
The sunken living room is just one of many grade changes inside the structure. “We were adamant that we didn’t want something domestic,” says Andrew. “We wanted something surprising, that was hyper-animated, and that, when you moved through it, changed all the time.” The sofa, designed by the couple and Levenbetts, is upholstered in cotton velvet. The Habibi side tables are by Philipp Mainzer for e15, the fireplace tools by Fort Standard, and the doors by Fleetwood.
A custom walnut-and-steel coffee table from Jobe Fabrications anchors the living room. Fenton and Fenton armchairs are paired with a Texas Leather Interiors sofa. Drophouse Design crafted the fireplace copper wrap, and Thomas Studio and Foundry treated the metal to create a unique copper patina that matches the kitchen hood fan. Limestone is part of the exterior landscaping, but makes its way into the home as well to act as the base of the fireplace. Each piece is seven feet long, and puzzles together.
A custom walnut-and-steel coffee table from Jobe Fabrications anchors the living room. Fenton and Fenton armchairs are paired with a Texas Leather Interiors sofa. Drophouse Design crafted the fireplace copper wrap, and Thomas Studio and Foundry treated the metal to create a unique copper patina that matches the kitchen hood fan. Limestone is part of the exterior landscaping, but makes its way into the home as well to act as the base of the fireplace. Each piece is seven feet long, and puzzles together.
The most costly parts of the build were the board-formed concrete walls and fireplace. “We believe it was worth spending the money here for a few reasons,” reveals architect Cavin Costello. “The mass anchors the house into the landscape, and the material is incredibly durable—something we need in the harsh desert sun. The board-forms give the home a wonderful character.”
The most costly parts of the build were the board-formed concrete walls and fireplace. “We believe it was worth spending the money here for a few reasons,” reveals architect Cavin Costello. “The mass anchors the house into the landscape, and the material is incredibly durable—something we need in the harsh desert sun. The board-forms give the home a wonderful character.”
The home includes handcrafted details such as built-in cabinetry and shelving. The open-plan living space is anchored by a floor-to-ceiling stone inlay fireplace and framed by a warm wood paneled post-and-beam ceiling. Artwork on view: (foreground left to right): Gerald Luss, Sofa for The Gerald Luss House (c. 1950s); Frances Palmer, Terracotta Planter; two Not Yet Titled works by Alma Allen (2020) (2017); Gerald Luss, Coffee Table for The Gerald Luss House (c. 1950s), porcelain vases by Frances Palmer (2021); micaceous clay vessels by Johnny Ortiz (2021); Alma Allen bronze dish, Not Yet Titled (2019); Green River Project LLC, Aluminum and Leather Lounge Ch air (2021); (background left to right): Ritsue Mishima, Seed Crystal (2017), Fonte (2020), Arca (2012); Gerald Luss, Untitled (2020); two Untitled (2021) works by Yoichi Shiraishi; Cecily Brown, Reasons to be Cheerful (2020 - 2021).
The home includes handcrafted details such as built-in cabinetry and shelving. The open-plan living space is anchored by a floor-to-ceiling stone inlay fireplace and framed by a warm wood paneled post-and-beam ceiling. Artwork on view: (foreground left to right): Gerald Luss, Sofa for The Gerald Luss House (c. 1950s); Frances Palmer, Terracotta Planter; two Not Yet Titled works by Alma Allen (2020) (2017); Gerald Luss, Coffee Table for The Gerald Luss House (c. 1950s), porcelain vases by Frances Palmer (2021); micaceous clay vessels by Johnny Ortiz (2021); Alma Allen bronze dish, Not Yet Titled (2019); Green River Project LLC, Aluminum and Leather Lounge Ch air (2021); (background left to right): Ritsue Mishima, Seed Crystal (2017), Fonte (2020), Arca (2012); Gerald Luss, Untitled (2020); two Untitled (2021) works by Yoichi Shiraishi; Cecily Brown, Reasons to be Cheerful (2020 - 2021).
“There’s no TV here, no distractions. It’s a kind of therapy,” says Eivind.
“There’s no TV here, no distractions. It’s a kind of therapy,” says Eivind.
Glossy black accents contrast with natural wood finishes throughout the interior.
Glossy black accents contrast with natural wood finishes throughout the interior.
The custom walnut screen takes its geometric cue (at a 90-degree tilt) from the wide bricks used for the fireplace and kitchen island.
The custom walnut screen takes its geometric cue (at a 90-degree tilt) from the wide bricks used for the fireplace and kitchen island.
Atelier Oslo overcame nature’s challenges when they designed Cabin Norderhov, a seasonal, eco-friendly retreat on a steep hillside overlooking Lake Steinsfjorden. The home’s layout revolves around a central glass and metal "campfire" that burns beneath a suspended mantel. Since it’s located at the access level, the fireplace's flickering warmth can be enjoyed throughout the house. The surrounding floor is covered with hexagon tiles cut from marble, which transition into tiles made of birch log in the rest of the house.
Atelier Oslo overcame nature’s challenges when they designed Cabin Norderhov, a seasonal, eco-friendly retreat on a steep hillside overlooking Lake Steinsfjorden. The home’s layout revolves around a central glass and metal "campfire" that burns beneath a suspended mantel. Since it’s located at the access level, the fireplace's flickering warmth can be enjoyed throughout the house. The surrounding floor is covered with hexagon tiles cut from marble, which transition into tiles made of birch log in the rest of the house.