Nearly all artwork first undergoes a screen printing process at Marimekko, achieving the brand's signature for overlapping planes of color. In this process, each hue is separated and overprinted with a different layer of ink.
Vintage lover Sarah Benson worked with local firm Bright Designlab to gently update her 1925 home in Portland, Oregon. In the kitchen, Moroccan cement tiles featuring a blue Hex Dot pattern by Popham Designs cover the floor.
Organic comfort meets modern functionality in the Grasshoper Lamp. In a corner of this Brooklyn Brownstone, a black Greta Grossman Grasshopper lamp sits next to a Bertoia Diamond chair with matching ottoman.
Chromatic Newsstand @ The Durham Hotel, designed by Commune Design
Each listening station features different simulated home environments—a kitchen and living room, for example—paired with unique interior elements. This one features custom wall coverings by artist Mark Chamberlain.
Interior by India Mahdavi.
The three-by-12-inch porcelain pieces are inspired by the industrial wood floors of the 1970s, but are of the moment thanks to their subtle grain pattern and versatile applications.
Photo courtesy of Skye Parrot
Pasquier and Sowden’s collection for ZigZag Zurich offers a selection of ready-made wallcoverings with wild patterns that are digitally-printed to a thin woven fleece material. Its transparent nature allows the wall behind the panels to play a part in the design.
One of the most interesting material treatments is found in the drapery fabric that’s appropriately titled, Plastic Fantastic. Nathalie and George developed this special sheer material that’s made up of a woven trevira, which creates a vitrage effect in a room when light shines through it.
Marbelous Wood by Snedker Studio. Danish designer Pernille Snedker Hansen’s custom installations involve treating local Nordic wood with a marbling effect in toned-down hues.
The solid exterior reflects Cadena's concept of a skin, with a strong exterior layer that protects the more delicate, skeletal interior. The hanging bone at the entrance, a piece cast in aluminum, is meant to recall more simple, primitive signage from the past.
The home created by Patternity, the design duo comprised of Anna Murray and Grace Winteringham, plays with geometric shapes.