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Collection by Marcos Favela

Cabin

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“There had been two or three primitive cabins on the property in the past, which resulted in a clearing that we utilized for the site,” Joseph Herrin says. “This allowed us to avoid any further tree removal for construction, and provided an opportunity to begin to restore that portion of the property with native landscaping.”
“There had been two or three primitive cabins on the property in the past, which resulted in a clearing that we utilized for the site,” Joseph Herrin says. “This allowed us to avoid any further tree removal for construction, and provided an opportunity to begin to restore that portion of the property with native landscaping.”
Regain focus and boost your productivity—here, we walk you through seven steps to soundproofing your home office.
Regain focus and boost your productivity—here, we walk you through seven steps to soundproofing your home office.
The bed was designed to hang from the ceiling and can be hoisted up and pulled down as needed.
The bed was designed to hang from the ceiling and can be hoisted up and pulled down as needed.
When not in use as the headboard, the large redwood slab folds down to become a desk.
When not in use as the headboard, the large redwood slab folds down to become a desk.
The House for a Musher is all about taking advantage of its hilltop site. The courtyard in the front has vast views and the house itself is oriented toward the surrounding landscape.
The House for a Musher is all about taking advantage of its hilltop site. The courtyard in the front has vast views and the house itself is oriented toward the surrounding landscape.
Olson Kundig Architects' Delta Shelter, in Mazama, Washington, is a 1,000 square-foot steel box home with a 200 square-foot footprint. Photo by Olson Sundberg Kundig Allen Architects/TASCHEN.
Olson Kundig Architects' Delta Shelter, in Mazama, Washington, is a 1,000 square-foot steel box home with a 200 square-foot footprint. Photo by Olson Sundberg Kundig Allen Architects/TASCHEN.
The hideaway grows darker as residents move through the space toward the bedroom. The only light in the sleeping space enters indirectly from the nearby glass façade, as well as from a small ventilation window in the northern corner.
The hideaway grows darker as residents move through the space toward the bedroom. The only light in the sleeping space enters indirectly from the nearby glass façade, as well as from a small ventilation window in the northern corner.
Large sliding glass doors allow daylight to fill the living room. Smaller windows are placed in the kitchen area and the sleeping loft. The exterior is clad in heart pine which needs very little up-keep and is known for its strength and hardness.
Large sliding glass doors allow daylight to fill the living room. Smaller windows are placed in the kitchen area and the sleeping loft. The exterior is clad in heart pine which needs very little up-keep and is known for its strength and hardness.
Sævik compares her house to a contemplative hideout. “It’s very quiet,” she says. “You can concentrate and let thoughts fly.” Her favorite summer pastimes include reading, painting, drawing, yoga, and “just sitting and feeling the forest,” she says.
Sævik compares her house to a contemplative hideout. “It’s very quiet,” she says. “You can concentrate and let thoughts fly.” Her favorite summer pastimes include reading, painting, drawing, yoga, and “just sitting and feeling the forest,” she says.
The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik. Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.
The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik. Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.
A section of the roof reaches over a rock outcropping—a detail that visually connects the house to the landscape and offers a handy way to climb up to the roof deck without using a ladder.
A section of the roof reaches over a rock outcropping—a detail that visually connects the house to the landscape and offers a handy way to climb up to the roof deck without using a ladder.
Two smaller, adjacent structures house autonomous bedrooms, each equipped with a full bathroom.
Two smaller, adjacent structures house autonomous bedrooms, each equipped with a full bathroom.
Anka Lamprecht and Lukas Wezel shared their rustic domicile in a valley in Grotli, Norway. Boasting an enviable view, it’s the first cabin archived in the book’s “Backcountry” category that features homesteads in the wilderness.
Anka Lamprecht and Lukas Wezel shared their rustic domicile in a valley in Grotli, Norway. Boasting an enviable view, it’s the first cabin archived in the book’s “Backcountry” category that features homesteads in the wilderness.
“They wanted the new cabin to make a ‘L’ shape with the older cabin, but I convinced them to mimic the old cabin on the opposite side,” architect D’Arcy Jones says. “So the new site has two buildings across from each other, like an equal sign.” Birch trees grow between the cabins in a shared courtyard.
“They wanted the new cabin to make a ‘L’ shape with the older cabin, but I convinced them to mimic the old cabin on the opposite side,” architect D’Arcy Jones says. “So the new site has two buildings across from each other, like an equal sign.” Birch trees grow between the cabins in a shared courtyard.