Collection by Jenna Sainsbury
Bathroom
The owners were passionately involved in every aspect of the design, and pushed the team to make choices they normally might not have, including using Western red cedar for the master bathroom countertop. The spa-like space features a soaking tub, tile from Statements Urban, an MTI sink, a custom mirror, and a Vola faucet.
Benjamin Moore’s “Mountain Peak White” coats the western red cedar walls in the master bathroom, which is detailed with the same Carrara marble countertop seen in the kitchen. Waterworks tile covers the floor, and an Agape tub stands across from a vanity light fixture custom-made by the firm’s interior designer, Erin Martin.
The sleek master bathroom features a freestanding tub, black mosaic tiles on the floor, and black natural stone on the walls. A natural oak vanity and oak accents add warmth to the otherwise cool and contemporary space, and a glass wall on the opposite side creates a sense of connection with the master bedroom.
For the bathroom, the architects designed a clever tub that can serve as a shower, too. “Curved bath edges are not great to stand in so we wanted it to have a flat base,” Bright says. “We also didn't like that you would have to step over the edge of the bath to get in the shower. The solution to this was to sink it down.” The light is by Tub Design and fixtures by Duravit.
To create a bit more texture in the kitchen and baths, the couple added classic checkered tiles from the local hardware store—an inexpensive option that broke up the polished concrete floors spanning the rest of the house. Pavonetti designed and built the pedestal sinks using reclaimed cedar siding.
Renovating the old mill was a family effort, and Blee called on his sister Kate, a textile designer based in London, to lend a helping hand with the tile work. Kate's repertoire also extends to building installations, including a ceramic wall in the City and Islington Center for Lifelong Learning in North London. "She had several boxes left over," Blee recalls, "which meant another opportunity to use something that was lying around." The tiles, with finishes ranging from heavy glazes to matte coats, offered textural variety, which brother and sister used to "play around with the idea of reflection from the roof light."