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One of the most significant of Mies' works, the Farnsworth House in Plano, Illinois, was built between 1945 and 1951 for Dr. Edith Farnsworth as a weekend retreat. The home embraces his concept of a strong connection between structure and nature, and may be the fullest expression of his modernist ideals.
One of the most significant of Mies' works, the Farnsworth House in Plano, Illinois, was built between 1945 and 1951 for Dr. Edith Farnsworth as a weekend retreat. The home embraces his concept of a strong connection between structure and nature, and may be the fullest expression of his modernist ideals.
An artist and an architect built their home, studios, and an exhibition space inside a lushly landscaped Antwerp warehouse.
An artist and an architect built their home, studios, and an exhibition space inside a lushly landscaped Antwerp warehouse.
“There was too much visual pollution disturbing the simplicity. The goal was to allow the existing buildings to work within a totally new program, each still distinguishable by its own destiny.” —Architect Bart Len
“There was too much visual pollution disturbing the simplicity. The goal was to allow the existing buildings to work within a totally new program, each still distinguishable by its own destiny.” —Architect Bart Len
Architectural designer Sebastian Mariscal and project manager Jeff Svitak created a house in Venice, California, for Michael and Tamami Sylvester. Known as Dwell Home Venice for its role as an exemplification of modern architecture, the house is an homage to indoor-outdoor living. Photo by Coral von Zumwalt.
Architectural designer Sebastian Mariscal and project manager Jeff Svitak created a house in Venice, California, for Michael and Tamami Sylvester. Known as Dwell Home Venice for its role as an exemplification of modern architecture, the house is an homage to indoor-outdoor living. Photo by Coral von Zumwalt.
Tasked with transforming a 93-square-foot brick boiler room into a guesthouse, architect and metalworker Christi Azevedo flexed her creative muscle. The architect spent a year and a half designing and fabricating nearly everything in the structure save for the original brick walls. "I treated the interior like a custom piece of furniture," she says.
Tasked with transforming a 93-square-foot brick boiler room into a guesthouse, architect and metalworker Christi Azevedo flexed her creative muscle. The architect spent a year and a half designing and fabricating nearly everything in the structure save for the original brick walls. "I treated the interior like a custom piece of furniture," she says.
Alterstudio Architecture of Austin designed this house in the Texas capital for a young family of four.
Alterstudio Architecture of Austin designed this house in the Texas capital for a young family of four.
When renovating a house in McAllen, Texas, for his brother-in-law’s family, architect Luis López designed an overhang with concrete beams that protects the front entrance from the area’s frequent rain. A large front window was inserted to provide views through the house to the backyard.
When renovating a house in McAllen, Texas, for his brother-in-law’s family, architect Luis López designed an overhang with concrete beams that protects the front entrance from the area’s frequent rain. A large front window was inserted to provide views through the house to the backyard.
Among the most dramatic spaces is the double-height office with sculptural installation.
Among the most dramatic spaces is the double-height office with sculptural installation.
Bartlett’s bedroom is in a ground-floor addition that was built onto the back of the building about 50 years ago. It is adjacent to her painting studio.
Bartlett’s bedroom is in a ground-floor addition that was built onto the back of the building about 50 years ago. It is adjacent to her painting studio.
"It's not about the space; it's about envisioning what you can do with what you have." —Loretta Gargan
"It's not about the space; it's about envisioning what you can do with what you have." —Loretta Gargan
Jessica Helgerson Interior Design, with project manager and lead designer Emily Kudsen Leland at the helm, remade a Portland abode with a crisp paint palette: Benjamin Moore’s Wrought Iron for the cladding and Venetian Gold for the front door. The home was originally designed by Saul Zaik in Southwest Portland, complete with a wood-clad exterior, in 1956. As part of the renovation, landscape design was completed by Lilyvilla Gardens.
Jessica Helgerson Interior Design, with project manager and lead designer Emily Kudsen Leland at the helm, remade a Portland abode with a crisp paint palette: Benjamin Moore’s Wrought Iron for the cladding and Venetian Gold for the front door. The home was originally designed by Saul Zaik in Southwest Portland, complete with a wood-clad exterior, in 1956. As part of the renovation, landscape design was completed by Lilyvilla Gardens.