Collection by Kim Belzberg
Designed by Arthur Witthoefft of Skidmore, Owings & Merrill in 1961, this five-bedroom, five-bathroom midcentury house is set in the woods of Armonk, New York. The 5,000-square-foot home features full-height walls of glass, a wraparound floating terrace, and a quiet deck that overlooks the site's sylvan surroundings.
Designed by Arthur Witthoefft of Skidmore, Owings & Merrill in 1961, this five-bedroom, five-bathroom midcentury house is set in the woods of Armonk, New York. The 5,000-square-foot home features full-height walls of glass, a wraparound floating terrace, and a quiet deck that overlooks the site's sylvan surroundings.
A view from the new detached garage towards the renovated 3,600-square-foot Harrison House. The new addition comprises a large, cypress-clad volume atop a small concrete plinth that houses a studio space.
A view from the new detached garage towards the renovated 3,600-square-foot Harrison House. The new addition comprises a large, cypress-clad volume atop a small concrete plinth that houses a studio space.
White built-in cabinetry delightfully contrasts with the home's original wood beams and pillars, which the architects have left exposed (along with the aluminum ductwork and perforated metal) to pay homage to the building's industrial past.
White built-in cabinetry delightfully contrasts with the home's original wood beams and pillars, which the architects have left exposed (along with the aluminum ductwork and perforated metal) to pay homage to the building's industrial past.
Because the architects wanted to showcase the view of one of the more majestic oaks on the property, they placed a lap pool below the tree so the mirror-like surface of the water would gracefully reflect its image.
Because the architects wanted to showcase the view of one of the more majestic oaks on the property, they placed a lap pool below the tree so the mirror-like surface of the water would gracefully reflect its image.
Concrete walls support the living space and elevate it from storm surges.
Concrete walls support the living space and elevate it from storm surges.
The Lost Whiskey Cabin stands on a rocky bluff overlooking Virginia's countryside.
The Lost Whiskey Cabin stands on a rocky bluff overlooking Virginia's countryside.
First built in 1959 as acclaimed architect Jim Olson's first project, this modest bunkhouse in the woods grew into an extraordinary family retreat.
First built in 1959 as acclaimed architect Jim Olson's first project, this modest bunkhouse in the woods grew into an extraordinary family retreat.
The dining area has a large table where family members can sit together but engage in different activities, exemplifying how a space can be at once communal and private.
The dining area has a large table where family members can sit together but engage in different activities, exemplifying how a space can be at once communal and private.
Glazed garage doors by Renlita lift up to completely open the home to nature.
Glazed garage doors by Renlita lift up to completely open the home to nature.
Clad in SPF lumber, zinc, and glass, David Bronskill and Mark Dilworth’s vacation home on Oblong Lake fans out to capture wide views of the forest. “Nothing is straight in the plan,” says architect Roland Rom Colthoff of RAW Design, who conceived the 2,500-square-foot escape. From left to right, there are three structures: a three-bedroom guest wing, a voluminous communal area, and a semi-detached master suite. Two of the wings share an unusual fin-shape design because of their varied ceiling heights.
Clad in SPF lumber, zinc, and glass, David Bronskill and Mark Dilworth’s vacation home on Oblong Lake fans out to capture wide views of the forest. “Nothing is straight in the plan,” says architect Roland Rom Colthoff of RAW Design, who conceived the 2,500-square-foot escape. From left to right, there are three structures: a three-bedroom guest wing, a voluminous communal area, and a semi-detached master suite. Two of the wings share an unusual fin-shape design because of their varied ceiling heights.