Collection by Claire Weiss
The designers removed extraneous elements added by others in the ’70s so that Pedersen’s striking exposed trusses could once again take center stage. They also relocated a vintage Aztec fireplace by Majestic from the den to the step-down family room and fitted it with chimney extensions from Malm Fireplaces. The Tribeca pendant lights by Sonneman, the vintage credenza from Sunset Bazaar, and the television by Samsung
With no major structural work to do, the design team focused on things like color, and on the exterior they paired Benjamin Moore’s Cabbage Patch green with a front door painted in the company’s Tawny Day Lily. “Kim had a lot of really great people on the project,” Bestor explains, “and that made it possible to go super fast and still be design-y and not just do a white box.”
Two new structures were also built in the backyard, and connected to the main house via the landscape plan by Lilyvilla Gardens. One is a 485-square-foot guest house, and the other is a 375-square-foot workshop for the owner, who’s a bike builder. They have the same exterior siding as the main house: rough-sawn tongue and groove cedar.
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