Collection by Sergey Vershinin
In plan, the structure is an L-shape, embracing the view across its angled infinity pool.
In plan, the structure is an L-shape, embracing the view across its angled infinity pool.
Front Yard View of Villa
Front Yard View of Villa
At the end of a dirt road in Bissel Cove, Rhode Island, this 1940s bungalow is surrounded by tall trees and a small horse farm. "It’s very enchanting and quiet—in the best way," note the residents, who own East Surf Co., a surf wax company.
At the end of a dirt road in Bissel Cove, Rhode Island, this 1940s bungalow is surrounded by tall trees and a small horse farm. "It’s very enchanting and quiet—in the best way," note the residents, who own East Surf Co., a surf wax company.
A linear lacquer storage unit with a Corian top helped define the main living areas; now the residents spend more time enjoying the apartment’s northern exposure–one of two main sources of natural light in the floor-through loft.
A linear lacquer storage unit with a Corian top helped define the main living areas; now the residents spend more time enjoying the apartment’s northern exposure–one of two main sources of natural light in the floor-through loft.
To rent the cabin for a short stay, intrepid guests can contact Dus Architects at info@houseofdus.com

Photo: Ossip van Duivenbode
To rent the cabin for a short stay, intrepid guests can contact Dus Architects at info@houseofdus.com Photo: Ossip van Duivenbode
The house and studio were christened "Dragon Rock" by their daughter Ann who said the rock formation resembled a dragon sipping from the pool. The pool was created by feeding a waterfall into to the pit. Seen here is a floating sculpture by current artist-in-resident Stephen Talasnik.
The house and studio were christened "Dragon Rock" by their daughter Ann who said the rock formation resembled a dragon sipping from the pool. The pool was created by feeding a waterfall into to the pit. Seen here is a floating sculpture by current artist-in-resident Stephen Talasnik.
Resident Nadja van Praag enjoys the view from the deck that connects the trio of structures. The idea for the deconstructed plan was inspired in part by Alvar Aalto sketches of a “peeled apart” summer cabin, says architectural designer Riley Pratt, in which interconnected volumes surround a central courtyard.
Resident Nadja van Praag enjoys the view from the deck that connects the trio of structures. The idea for the deconstructed plan was inspired in part by Alvar Aalto sketches of a “peeled apart” summer cabin, says architectural designer Riley Pratt, in which interconnected volumes surround a central courtyard.
Photo by Andy Liffner
Photo by Andy Liffner
Wynants grew up sailing, and he created the piece to suggest "a moment of togetherness...the way one might gather at the back of the boat, to talk and drink." A side view of the house captures a glimpse of what he calls "the monolith."
Wynants grew up sailing, and he created the piece to suggest "a moment of togetherness...the way one might gather at the back of the boat, to talk and drink." A side view of the house captures a glimpse of what he calls "the monolith."
"If you want to respect the old, the contrast should be brutal. I want to be very clear what is old and what is new." —Dirk Wynants
"If you want to respect the old, the contrast should be brutal. I want to be very clear what is old and what is new." —Dirk Wynants

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