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The U-shaped, one-level home is composed of two volumes connected by bright orange doors that pop against the dark wood facade.

Although strikingly different from its traditional farmhouse exterior, the interiors reference the outer appearance with an exposed solid granite wall in the living room and exposed roof trusses with black plated junctions that recall the artisanal joinery and construction techniques found in traditional Japanese homes.

A closer look at the facade of 714 Steiner, pictured here in the middle. The term "Painted Ladies" was first coined by Elizabeth Pomada and Michael Larsen in their 1978 book Painted Ladies: San Francisco's Resplendent Victorians. The phrase is now commonly used to describe polychromatic Victorian or Edwardian homes in other American cities.

The punchy-colored base of the kitchen work table is a note of contrast against the predominant green accents. The table was custom-designed by Mariana de Delás & 2Monos Studio.

The apartment is accessed via an old freight elevator. The cabinetry around the elevator entrance—including a massive bookshelf and storage space—is black, contrasting with the white brick walls and the white oak joinery.

Built in 1975, the Ramada House is widely considered to be one of the most significant residences in the Grand Canyon State.

Located high up on a hill, Es Bec d'Aguila is a place to truly escape urban life by finding sanctuary in Menorca's rugged landscape.

Danish architects John Lassen and Joanna Tench renovated the interior of this quaint 1960s thatched-roof cottage in North Jutland, giving it a clean, modern face-lift.

“This was the first Annex house we have ever done,” LeBlanc says. “We’ve done a lot of work with existing buildings, and it’s actually a big part of our practice—but with this home there were many significant details worth protecting and restoring.”

The new volume's orientation (away from the street and towards the skyline) preserves the historic continuity of the neighborhood.

Fallingwater is located in the southwest mountains of Pennsylvania, known as the Laurel Highlands. Its color palette is derived from the surrounding nature: ochre, inspired by the rhododendrons, and Wright’s signature Cherokee red. He initially wanted the parapets to be donned in gold leaf, but the owners rejected the idea.

At a 1954 midcentury home in the West hills of Portland, Penny Black Interiors deftly updated the residence with standout cabinetry, carefully-selected tile, and wallpaper galore. The renovation balanced preserving the home's innate character and updating its function for modern life.

Set on the parlor level of the home is a large and airy library, which can easily be converted into a fifth bedroom. Floor-to-ceiling bookshelves (designed by Pei) stretch across one wall, while bespoke doors on the opposite side hide even more storage.

The living room features custom built-ins and cork floor tiles under a high, wood-beamed vaulted ceiling.

After: The firm used the steel to demarcate different areas in the new home. Glass-and-steel-framed walls now enclose the master bedroom, and an office nook with built-in storage is tucked off the primary circulation paths. The firm designed the custom bed platform; it’s white oak with a smoked finish.

Soaring ceilings continue into the airy upper-floor living room, complete with large, north-facing windows and an anchoring exposed brick fireplace.

“It feels very much like a home, where we mixed products from our design partners together very organically, whether they be books, textiles, ceramics or furniture, so there is a sense of inspiration and discovery," says McKinley.

When asked about the curved ceiling over the new kitchen, Marway said, “Where we had sharp angles in the cutout floor plate, glass box rooflight, and underside of stairs, we decided to install gentle curves to soften the hard lines.” The pendant lights over the table are comprised of the Plumen Drop Hat Lamp Shade, and the chairs and table are by Carl Hansen.