SubscribeSign In
v
Collection by Vilhelm Sundin

Favorites

View 15 Photos
On the main floor, opposite the pantry, a corner of the central brick core is used as a home office. Moore designed and built the desk. Photo courtesy of Mike Moore/Tres Birds Workshop
On the main floor, opposite the pantry, a corner of the central brick core is used as a home office. Moore designed and built the desk. Photo courtesy of Mike Moore/Tres Birds Workshop
In the kitchen, glossy white MDF and quartz countertops allow for maximum light reflection, as do the white walls and ceilings. The stools are from Zone Maison.
In the kitchen, glossy white MDF and quartz countertops allow for maximum light reflection, as do the white walls and ceilings. The stools are from Zone Maison.
Goneau highlighted the red brick wall in the living room by leaving it bare and protecting it behind museum-quality glass. The space also features a floor-to-ceiling window that’s coated on the outside with a reflective film, letting residents keep their curtains open by day without fear of being seen from the street. The green sofa is by St-Laurent Domison and the white oak chairs are by Hans Wegner. All other furniture is custom.
Goneau highlighted the red brick wall in the living room by leaving it bare and protecting it behind museum-quality glass. The space also features a floor-to-ceiling window that’s coated on the outside with a reflective film, letting residents keep their curtains open by day without fear of being seen from the street. The green sofa is by St-Laurent Domison and the white oak chairs are by Hans Wegner. All other furniture is custom.
Home Renovation Tip: Get an Understanding of What’s Already Around
Home Renovation Tip: Get an Understanding of What’s Already Around
Abbes and Davison removed drywall to expose the brick on one wall in the living room. "As we began to expose that brick, we found the old metal framing that they used to use," Daivson says. "They used to stick chicken-mesh wire on it and put plaster on top. When we exposed the brick, we found this metal detail and decided to keep it." Photo by Alan Gastelum.
Abbes and Davison removed drywall to expose the brick on one wall in the living room. "As we began to expose that brick, we found the old metal framing that they used to use," Daivson says. "They used to stick chicken-mesh wire on it and put plaster on top. When we exposed the brick, we found this metal detail and decided to keep it." Photo by Alan Gastelum.
Tribeca Manufacturing Building New York–based architect Andrew Franz undertook the renovation of a landmark circa-1884 former soap warehouse in Tribeca, originally designed by George W. DaCunha in the Romanesque Revival style. Franz reorganized and modernized the six-story building—which retains its original 16-foot beam ceilings, brick walls, timber columns, and elevator winches from the former freight shaft—by incorporating steel, glass, handmade tile, and lacquer to complement the masonry and heavy timber. An interior courtyard and rectangular mezzanine are situated below the original 16-foot gull-wing ceiling planes.
Tribeca Manufacturing Building New York–based architect Andrew Franz undertook the renovation of a landmark circa-1884 former soap warehouse in Tribeca, originally designed by George W. DaCunha in the Romanesque Revival style. Franz reorganized and modernized the six-story building—which retains its original 16-foot beam ceilings, brick walls, timber columns, and elevator winches from the former freight shaft—by incorporating steel, glass, handmade tile, and lacquer to complement the masonry and heavy timber. An interior courtyard and rectangular mezzanine are situated below the original 16-foot gull-wing ceiling planes.
By burnishing historic details and adjusting the floor plan, multidisciplinary studio Loft Szczecin restored and transformed a loft in a warehouse that dates from before World War II. The living room rug is a Polish textile from the 1930s.
By burnishing historic details and adjusting the floor plan, multidisciplinary studio Loft Szczecin restored and transformed a loft in a warehouse that dates from before World War II. The living room rug is a Polish textile from the 1930s.
In addition to reconstructing an open living room, Loft Szczecin had to subdivide four smaller spaces to create privacy in the expansive warehouse.
In addition to reconstructing an open living room, Loft Szczecin had to subdivide four smaller spaces to create privacy in the expansive warehouse.
Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."
The building was built in 1910. "It’s a pretty raw space with rough exposed brick, barrel vaulted ceilings, original hardwoods, and exposed ducting," Greenawalt says. "We tried to use industrial materials—stainless steel, perforated steel, brick—in a more refined way for the kitchen."
The building was built in 1910. "It’s a pretty raw space with rough exposed brick, barrel vaulted ceilings, original hardwoods, and exposed ducting," Greenawalt says. "We tried to use industrial materials—stainless steel, perforated steel, brick—in a more refined way for the kitchen."
The dining room features a mobil custom table made by Gilles van der Brempt, and an assortment of Ikea Urban and Hee Welling dining chairs. Photo by: Frederik Vercruysse
The dining room features a mobil custom table made by Gilles van der Brempt, and an assortment of Ikea Urban and Hee Welling dining chairs. Photo by: Frederik Vercruysse
A social creature who seems to know everyone, Loft J occupant Jamil Malone has hosted several "alcohol-themed" parties and manages to wedge as many as 20 people into his studio. The gatherings are like gallery openings, with the walls of Malone's apartment displaying a roving selection of locally produced art.
A social creature who seems to know everyone, Loft J occupant Jamil Malone has hosted several "alcohol-themed" parties and manages to wedge as many as 20 people into his studio. The gatherings are like gallery openings, with the walls of Malone's apartment displaying a roving selection of locally produced art.