Farmhouse

The Floating Farmhouse’s semitransparent addition has a roofline that matches the pitch of the original 1820s farmhouse. A porch, tucked under the side eaves, is cantilevered over a stream that runs through the property. Ikea loungers are illuminated from the interior by commercial gymnasium lights repurposed as pendant lamps.

Tom Givone's current weekend abode, nicknamed the Floating Farmhouse, is—so far—his capstone project, a synthesis of personal taste, material experimentation, and historically sensitive restoration: a living laboratory for how to bring the vernacular past into the present.

"Like the old farmhouses and barns of the Champlain Valley, the Foote Farm House has a clearly ordered wood frame on a sturdy foundation, an exterior skin made of local materials, an economy of form with tried-and-true proportions, a central fire place, and a common-sense relationship to the sun and the weather." - Architect John McLeod

The new custom kitchen is situated in the original structure. The window is a new commercial unit with an operable frameless center pane and was set so that the countertop could tuck right underneath it to create a 1/4-inch shadow line.

The architect chose granite for the house’s base, zinc for its roof, and Scandinavian pinewood for cladding—all materials that complement the nearby gray stone building.

The main entrance is on the house’s south side. It leads to a central hall from which all sections of the home are accessible.

PROD Architecture + Design created a farmhouse in Penafiel, Portugal to fuse the aesthetic of traditional homes in the region with contemporary, floor-to-ceiling windows that respond to the environment. Made up of four distinct structures, the home takes on the shape of an existing gabled-roof structure on the site. To complement the stone building, the home incorporates a series of muted materials including granite for the base, zinc for the roof, and Scandinavian pinewood for cladding.

Seen from a distance, the farmhouse has a time-honored quality, though it’s still clearly a product of the 21st century.