SubscribeSign In
g
Collection by Gemma Savage

à l'intérieur

View 101 Photos
A different pattern by Fabrica de Mosaicos covers the floor in the dining area. Adding texture, the concrete ceiling slab bears the imprint of the wood formwork used to create it. Next to the dining table is an enameled black-and-gold cast-iron Venax stove. - Pato Branco, Brazil Dwell Magazine : November / December 2017
A different pattern by Fabrica de Mosaicos covers the floor in the dining area. Adding texture, the concrete ceiling slab bears the imprint of the wood formwork used to create it. Next to the dining table is an enameled black-and-gold cast-iron Venax stove. - Pato Branco, Brazil Dwell Magazine : November / December 2017
- Cupertino, California Dwell Magazine : September / October 2017
- Cupertino, California Dwell Magazine : September / October 2017
The designers explain, “These steel windows played an integral part in making the interior feel larger and more open by blurring the boundaries between the interior and exterior.” A grey Halcyon Lake area rug, an oak chair from MAP, and Hans Wenger Wishbone chairs make for a simple, neutral palette. The painting over the fireplace is by Kate Hendry.
The designers explain, “These steel windows played an integral part in making the interior feel larger and more open by blurring the boundaries between the interior and exterior.” A grey Halcyon Lake area rug, an oak chair from MAP, and Hans Wenger Wishbone chairs make for a simple, neutral palette. The painting over the fireplace is by Kate Hendry.
This shade has a levity about it that works well with both muted neutrals and darker colors. Benjamin Moore’s Blue Seafoam (2056-60) is a good example of a relaxing blue paint color that works well for interior and exterior walls.
This shade has a levity about it that works well with both muted neutrals and darker colors. Benjamin Moore’s Blue Seafoam (2056-60) is a good example of a relaxing blue paint color that works well for interior and exterior walls.
In the living and dining area of Jean Risom's Block Island family retreat, mostly vintage Risom furnishings share space with a few new additions, the view facing north is framed by the wall of glass. Photo by: Floto + Warner
In the living and dining area of Jean Risom's Block Island family retreat, mostly vintage Risom furnishings share space with a few new additions, the view facing north is framed by the wall of glass. Photo by: Floto + Warner
The Richard Barnes photo pops against a gray Venetian plaster wall.
The Richard Barnes photo pops against a gray Venetian plaster wall.
Shophouses are a staple of Southeast Asian urban architecture. A team of designers including Yong Ter, Teng Wui, Andrew Lee, and Edwin Foo renovated this shophouse into a contemporary sanctuary over the course of two years. They left the roof completely open from the beginning of the original airshaft to the back of the house. The heart is a cooking/dining area with a 13-foot-long Indonesian table made from a single piece of teak.
Shophouses are a staple of Southeast Asian urban architecture. A team of designers including Yong Ter, Teng Wui, Andrew Lee, and Edwin Foo renovated this shophouse into a contemporary sanctuary over the course of two years. They left the roof completely open from the beginning of the original airshaft to the back of the house. The heart is a cooking/dining area with a 13-foot-long Indonesian table made from a single piece of teak.
Because the house is narrow and long (16 by 68 feet), the design team decided to create a huge open-air space to light the interior naturally. Two retractable motor-driven canvas canopies shelter the space during Singapore’s frequent rains.
Because the house is narrow and long (16 by 68 feet), the design team decided to create a huge open-air space to light the interior naturally. Two retractable motor-driven canvas canopies shelter the space during Singapore’s frequent rains.
The dining table, made from a single piece of teak, is a little over 13 feet long and was custom made for the space. It can seat up to 24.
The dining table, made from a single piece of teak, is a little over 13 feet long and was custom made for the space. It can seat up to 24.
Once you enter, a hallway leads you into a reception/living area with polished-concrete floors and paneled walls that are partly lined with iroko wood. A double-height section lets in slices of light from the galleried garden room above.
Once you enter, a hallway leads you into a reception/living area with polished-concrete floors and paneled walls that are partly lined with iroko wood. A double-height section lets in slices of light from the galleried garden room above.
How a highly productive collaboration among a trio of creative Angelenas—and a good dose of Barragán—turned a dark and beleaguered midcentury house into a family home for the ages. The resulting design acquired its own flow, full of colorful narrative, spirited counterpoint, and anecdote. Now, in place of dark, disconnected spaces, outdoor rooms echo luminous indoor ones, and experimental filmmaker Laura Purdy and her family’s eclectic collections of art and personal artifacts share space with flashes of pattern and interior planes of saffron and pink stucco.
How a highly productive collaboration among a trio of creative Angelenas—and a good dose of Barragán—turned a dark and beleaguered midcentury house into a family home for the ages. The resulting design acquired its own flow, full of colorful narrative, spirited counterpoint, and anecdote. Now, in place of dark, disconnected spaces, outdoor rooms echo luminous indoor ones, and experimental filmmaker Laura Purdy and her family’s eclectic collections of art and personal artifacts share space with flashes of pattern and interior planes of saffron and pink stucco.
In the existing house, the wood beams were hidden under sheetrock and wallpaper. "I exposed them all, but I didn't let that dictate where the new walls would go," Givone says. "I let the beams fall where they may."
In the existing house, the wood beams were hidden under sheetrock and wallpaper. "I exposed them all, but I didn't let that dictate where the new walls would go," Givone says. "I let the beams fall where they may."
All of the home's wide-plank floors were reclaimed from the original farmhouse during the demolition process.
All of the home's wide-plank floors were reclaimed from the original farmhouse during the demolition process.
“It’s never static or solid here—with thelight, there’s always some sort of movement.”—Austin Lowrey, resident
“It’s never static or solid here—with thelight, there’s always some sort of movement.”—Austin Lowrey, resident
Opaque, white masonry walls alternate with large glass expanses throughout to create a visual palette of shadow and light.
Opaque, white masonry walls alternate with large glass expanses throughout to create a visual palette of shadow and light.
A translucent glass bridge connects this 1,820 square foot Corten steel and glass pavilion to a mid-century modern house designed by Bay Area architect Ernest Born. Gently placed among existing trees, the addition, though physically simple, is phenomenally complex. A private cypress grove in the rear and the Pacific Ocean in front are experientially connected through a strategic layering of space, view, reflection, acoustics, and nature.
A translucent glass bridge connects this 1,820 square foot Corten steel and glass pavilion to a mid-century modern house designed by Bay Area architect Ernest Born. Gently placed among existing trees, the addition, though physically simple, is phenomenally complex. A private cypress grove in the rear and the Pacific Ocean in front are experientially connected through a strategic layering of space, view, reflection, acoustics, and nature.

81 more saves