Collection by Island Partners, LLC
Loft
When planning the renovation, the owner gave Standard Studio complete freedom to develop the design. In the unconventional bedroom, the bed sits against a black feature wall, with a prominent freestanding bathtub on the opposite side. In addition to the wood beams, all original windows from the old sugar refinery were preserved, to keep the "soul" of the building intact.
This open-concept Amsterdam loft features soaring 15-foot ceilings, an Eames lounge chair and ottoman, and a Jielde light. Throughout the home, Standard Studio architects Wouter Slot and Jurjen van Hulzen favored raw materials, including concrete, oiled oak, and hot-rolled steel, all of which complemented the original space's industrial feel. Tucked smartly underneath the loft, a compact home office features functional built-in shelving and an Eames DSR chair.
One entire wall of the space is dedicated to storage. A simple, clean iron rod shelving system was conceptualized to span the entire wall left to right, and both floors top to bottom. Depending on the location of the storage wall, the nondescript iron grid can be used to house items in the living room, kitchen, library, or bedroom areas.
Structural changes were immediately made to the original shell to bring in more natural light. The small windows on the front façade were dramatically replaced with a folding window assembly that stretches the entire width of the room. Skylights were cleverly added slightly beneath the peak pitch of the roof to funnel light towards the mezzanine, while still illuminating the main floor below. Warm, rich iroko wood spans the ceiling and wall, and also extends to the seating bench beneath the window.
Designer in Brooklyn, New York
"The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."