Collection by John Jung
Vintage lover Sarah Benson worked with local firm Bright Designlab to gently update her 1925 home in Portland, Oregon. In the kitchen, Moroccan cement tiles featuring a blue Hex Dot pattern by Popham Designs cover the floor.
Vintage lover Sarah Benson worked with local firm Bright Designlab to gently update her 1925 home in Portland, Oregon. In the kitchen, Moroccan cement tiles featuring a blue Hex Dot pattern by Popham Designs cover the floor.
A desk inside of the the hotel's spacious rooms.
A desk inside of the the hotel's spacious rooms.
A wood-burning stove from Harvia, of Finland, heats the sauna. The pavilion’s rough-cut pine walls are treated with tar, a preservative that yields a time-worn aesthetic.
A wood-burning stove from Harvia, of Finland, heats the sauna. The pavilion’s rough-cut pine walls are treated with tar, a preservative that yields a time-worn aesthetic.
In Brooklyn’s Prospect Heights, this townhouse by Etelamaki Architecture has a spa-like bathroom with mixed materials that include a slate wall behind the double sinks, which are suspended on a teak vanity. The freestanding tub sits on a raised wooden bed that continues up the wall behind it.

Photo by Mikiko Kikuyama
In Brooklyn’s Prospect Heights, this townhouse by Etelamaki Architecture has a spa-like bathroom with mixed materials that include a slate wall behind the double sinks, which are suspended on a teak vanity. The freestanding tub sits on a raised wooden bed that continues up the wall behind it. Photo by Mikiko Kikuyama
Melbourne is the location of the Canny-designed Lubelso Hawthorn Concept Home where one of the bathrooms has large, soft grey tiles on the floor that continue up the sides of the shower walls. A skylight above the shower keeps the space full of light.

Photo by Derek Swalwell
Melbourne is the location of the Canny-designed Lubelso Hawthorn Concept Home where one of the bathrooms has large, soft grey tiles on the floor that continue up the sides of the shower walls. A skylight above the shower keeps the space full of light. Photo by Derek Swalwell
“The building is listed on a historic register, both inside and out, which means it’s especially difficult to run,” says Claus, ruminating on why the Association Auguste Perret agreed to let him rent Perret’s apartment. “In many ways, I think it was an answer to their prayers: income from someone who understood the space and in no way wanted to tamper with it.” 

A framed vintage Michelin map of France—“the same one my parents used to drive us around,” says Claus—leans against the oak-paneled wall in the bedroom, alongside an AJ floor lamp by Arne Jacobsen and a lacquered metal Fronzoni 64 bed by A.G. Fronzoni.
“The building is listed on a historic register, both inside and out, which means it’s especially difficult to run,” says Claus, ruminating on why the Association Auguste Perret agreed to let him rent Perret’s apartment. “In many ways, I think it was an answer to their prayers: income from someone who understood the space and in no way wanted to tamper with it.” A framed vintage Michelin map of France—“the same one my parents used to drive us around,” says Claus—leans against the oak-paneled wall in the bedroom, alongside an AJ floor lamp by Arne Jacobsen and a lacquered metal Fronzoni 64 bed by A.G. Fronzoni.
Boisset Home in the Alps of Le Biolley, Switzerland; Architects: Savioz Fabrizzi Architects; Photo by Thomas Jantscher
Boisset Home in the Alps of Le Biolley, Switzerland; Architects: Savioz Fabrizzi Architects; Photo by Thomas Jantscher
Nakada works from an Alvar Aalto table in the living and dining area, adjacent to the kitchen. He saved on some elements, such as the plywood cabinetry, and splurged on others, such as the Finn Juhl chairs and Vilhelm Lauritzen lamp. A skylight beneath the angled roof allows in a sliver of constantly changing light.
Nakada works from an Alvar Aalto table in the living and dining area, adjacent to the kitchen. He saved on some elements, such as the plywood cabinetry, and splurged on others, such as the Finn Juhl chairs and Vilhelm Lauritzen lamp. A skylight beneath the angled roof allows in a sliver of constantly changing light.
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