Collection by Anita Williamson
Benedetta's son's bedroom, which is on the second floor of the villa. The bed is her own design.
Benedetta's son's bedroom, which is on the second floor of the villa. The bed is her own design.
In the bedroom, an IKEA bed frame and CADO wall unit are drenched with natural light during the day from the skylights overhead. “The effect of daylight through skylights is very different than from a window,” Hart says. “You feel every minute of the day as light in the space ebbs and flows with the passing clouds.”
In the bedroom, an IKEA bed frame and CADO wall unit are drenched with natural light during the day from the skylights overhead. “The effect of daylight through skylights is very different than from a window,” Hart says. “You feel every minute of the day as light in the space ebbs and flows with the passing clouds.”
Wenes and Lens conceptualized a gradation of white to gray hues for the walls of the 1,500-square-foot gallery into the 4,000-square-foot home, culminating in a deep gray for the master bedroom. The room is reserved for meaningful pieces from the couple’s collection, such as a figure they found at a market in Beijing and lamps by artists Wenes represents.
Wenes and Lens conceptualized a gradation of white to gray hues for the walls of the 1,500-square-foot gallery into the 4,000-square-foot home, culminating in a deep gray for the master bedroom. The room is reserved for meaningful pieces from the couple’s collection, such as a figure they found at a market in Beijing and lamps by artists Wenes represents.
Tantalus Studio coaxes a Palm Springs home into the 21st century with fresh finishes and a sublime palette plucked from the desert landscape.
Tantalus Studio coaxes a Palm Springs home into the 21st century with fresh finishes and a sublime palette plucked from the desert landscape.
The bedrooms have a gauzy sheer layer of ripplefold draperies for soft light and some privacy during the day, with a separate blackout layer for the evenings.
The bedrooms have a gauzy sheer layer of ripplefold draperies for soft light and some privacy during the day, with a separate blackout layer for the evenings.
Blinds in the master bedroom provide privacy from the street.
Blinds in the master bedroom provide privacy from the street.
A metal ceiling and flooring made of Artigo rubber reflect daylight streaming through industrial blinds. “I like taking materials from other areas and using them in housing,” says Eduardo. His favorite item in the apartment is the Triangolo chair from Frama, a gift from Pelayo. The marble-topped dining table is paired with 611 chairs by Alvar Aalto for Artek, and the small red lamp is by Kauani.
A metal ceiling and flooring made of Artigo rubber reflect daylight streaming through industrial blinds. “I like taking materials from other areas and using them in housing,” says Eduardo. His favorite item in the apartment is the Triangolo chair from Frama, a gift from Pelayo. The marble-topped dining table is paired with 611 chairs by Alvar Aalto for Artek, and the small red lamp is by Kauani.
Wooden blinds in the Drawing Room maintains the privacy of the space & gives a beautiful play of light throughout the day time.
Wooden blinds in the Drawing Room maintains the privacy of the space & gives a beautiful play of light throughout the day time.
Fixed louvers on southern facade. External Venetian blinds on western facade
Fixed louvers on southern facade. External Venetian blinds on western facade
The master bedroom is designed as a tranquil place of rest with filtered light from the blinds.
The master bedroom is designed as a tranquil place of rest with filtered light from the blinds.
Oak timber veneer cladding frames the master bedroom's sleeping corner.
Oak timber veneer cladding frames the master bedroom's sleeping corner.
The dining area is framed by a large window, visually extending the space to the outdoors. Natural oak furniture and a suspended linear light by Santa&Cole enhance the warm and functional atmosphere.
The dining area is framed by a large window, visually extending the space to the outdoors. Natural oak furniture and a suspended linear light by Santa&Cole enhance the warm and functional atmosphere.
Entrance area of the main house featuring the KNIT pendant lamp by VIBIA, casting a warm and inviting glow. The minimalist design of the lamp complements the serene and understated interior palette, setting the tone for the rest of the home.
Entrance area of the main house featuring the KNIT pendant lamp by VIBIA, casting a warm and inviting glow. The minimalist design of the lamp complements the serene and understated interior palette, setting the tone for the rest of the home.
Detail of the glazed façade, where Venetian blinds filter the warm interior light. Inside, the Peak floor lamp by Francesc Rifé for Milan Iluminación adds a subtle yet elegant touch, enhancing the serene and refined atmosphere of the space.
Detail of the glazed façade, where Venetian blinds filter the warm interior light. Inside, the Peak floor lamp by Francesc Rifé for Milan Iluminación adds a subtle yet elegant touch, enhancing the serene and refined atmosphere of the space.
In this Sydney home strong western sun is blocked by elegant venetian blinds. #gwarchitect #blinds
In this Sydney home strong western sun is blocked by elegant venetian blinds. #gwarchitect #blinds
Shelves from Danish company We Do Wood, pendants by Uno & Osten Kristensson, a rug by Pappelina, and a vintage chair adorn the entry hallway. The wood doors and frames are original.
Shelves from Danish company We Do Wood, pendants by Uno & Osten Kristensson, a rug by Pappelina, and a vintage chair adorn the entry hallway. The wood doors and frames are original.
A Noé Duchaufour-Lawrance chair, Charlotte Perriand wall sconce, and Greta Grossman Grasshopper floor lamp round out a corner in the living room. Deau made the side table herself.
A Noé Duchaufour-Lawrance chair, Charlotte Perriand wall sconce, and Greta Grossman Grasshopper floor lamp round out a corner in the living room. Deau made the side table herself.
“It had to be inspired by the 1950s, it had to be fun—not too crazy—and it had to have a soul,” Deau says of the space.
“It had to be inspired by the 1950s, it had to be fun—not too crazy—and it had to have a soul,” Deau says of the space.
In the renovation of a 1950s building in Royan, France, interior designer Florence Deau selected a fleet of vintage and new furnishings.
In the renovation of a 1950s building in Royan, France, interior designer Florence Deau selected a fleet of vintage and new furnishings.

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