Mining Modernity

Mining Modernity

By Aaron Britt / Photos by João Canziani
Danish designer Søren Rose debuted eight pieces of his Park Avenue furniture collection for De La Espada at the London Design Festival last year, and though the line is for sale its origins are highly specific: a New York City apartment Rose is designing “down to the doorknobs.” Savvy design watchers will spot the origins of the High chair’s wire base (paging Verner Panton), and it turns out a marble wall in the apartment also has a lineage straight out of the high-modernist playbook. But where do the sly nods to design history end and outright piracy begin?

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