From Bauhaus Student to Brutalist Supreme: Highlights by Marcel Breuer

A sampling of the celebrated modernist architect’s impressive oeuvre.

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In our September 2016 issue, we visit a 1954 house designed by celebrated icon Marcel Breuer. As a bit of preview, we dip into Phaidon’s monograph on the Bauhaus-trained architect. Written by Robert McCarter, the book surveys Breuer’s varied portfolio. Known for his tubular steel furniture designs, massive brutalist government buildings, and boundary-pushing private houses, Breuer’s influence on modernism is significant in both his native Europe and in the States. Take a cruise through some highlights from his career below.

In Lawrence, Long Island, Breuer completed the Geller House II in 1969. It employs a curved concrete roof form, resting on four abutments, that gives the interior living spaces a dramatic shape.

Photo by Ben Schnall

Fascinated by his bicycle, Breuer conducted early experimentations with tubular steel that resulted in the iconic 1925 Wassily chair, the first of many furnishings that he made with the material.

Courtesy Phaidon

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Breuer’s Headquarters for Urban Development in Washington, D.C., built between 1963 and 1968, is a monolithic testament to brutalism, elevated by massive concrete pillars. Breuer’s building came in $4 million under budget, a fact that led to more commissions from the U.S. government.

Photo by Ben Schnall

After declaring that he was done designing houses in the late 1960s, Breuer took a commission to design the Sayer House in France in 1972. He accepted only because the residents were willing to build a design that Breuer had proposed to another client in 1959. Its defining feature is a hyperbolic paraboloid roof made of board-formed concrete.

Courtesy of Marcel Breuer Papers, Department of Special Collections, Syracuse University Library 


Working with structural engineer Pier Luigi Nervi and French architect Bernard Zehrfuss, Breuer designed the UNESCO Headquarters in Paris between 1952 and 1958, perhaps the most important commission of his career.

Courtesy Fonds Zehrfuss. Académie d'architecture/Cité del'architecture et du patrimoine/Archives d'architecture du XXe

The Armstrong Rubber Company headquarters in New Haven, Connecticut, features a two-story gap between a lower-level laboratory building and an office tower. Since the building, completed in 1970, is situated next to the Connecticut Turnpike, the gap was meant to precisely align with passing drivers’ eye level.

Photo by Robert Perron

The Gagarin House I, completed in Litchfield, Connecticut, in 1957, is home to a family of six, and features ample space for private or public gathering—including over 3,000 square feet of exterior terraces.

Photo by Robert Gregson

The third house that Breuer built for his family in 1951 is located in New Canaan, Connecticut, showcases many of the designers’ furnishings, including his Isokon armchairs from 1935.

Photo by Ben Schnall

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Breuer

The most comprehensive book on architect and designer Marcel Breuer (1902-1981), looking in detail at all the houses, furniture, and public buildings he designed In Europe and the United States–from his beginning at the Bauhaus through his collaboration with Walter Gropius, and the establishment of his own practice in the USA.

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Knoll Wassily Chair

Some designs never age, and the Wassily Chair by Knoll is the perfect case study in this brand of timelessness. Framed in tubular steel, it's a characteristic creation of designer Marcel Breuer, who became intrigued with this material after purchasing his first bicycle. Leather strips stretched between the tubes give the chair its distinctive angles, creating a comfortable and stylish space to sit and relax. Photo Courtesy of Lumens

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Related Reading:

Boundless Bauhaus: Its Origins and 7 Definitive Works You Need to Know

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