A Green Home Made of Glass, Stone, and Wood Sits Lightly Upon the Land

Bucolic yet modern, this environmentally conscious home in Dutchess County, New York, connects to the surrounding landscape with a natural material palette.

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A family approached NYC–based Slade Architecture to design a new home in upstate New York that would balance privacy with openness while providing connections to the outdoors. Slade Architecture’s solution fulfills both requests. The home consists of two rectangular volumes stacked on top of each other, each oriented differently and composed of different materials.

The new home is composed of two rectangular volumes stacked on top of each other.

Tom Sibley

The home's two volumes are distinct not only in their orientation, but also in their materiality. The lower level is wrapped in stone, while the upper level is composed of glass.

Tom Sibley

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The glass upper volume contains the more public functions of the home, including the living, dining, and cooking areas. The lower level houses the more private spaces, including the bedrooms, bathrooms, and a study.

The 4,600-square-foot home is set on bucolic farmland.

Tom Sibley

The glass upper level is designed to preserve views of the landscape. It rests delicately with one end atop the lower level and the other end on a natural hill on the site. The lower level’s stone cladding gives it a particular weight and distinction, while weathered steel accents connect the two volumes.

The upper floor is wrapped in glass, with the exception of the solid wood front door and the cantilevering roof.

Tom Sibley

Two volumes are stacked perpendicular to each other, and the top of the lower volume provides space for a green roof and an outdoor terrace accessible directly off the upper floor’s kitchen. Slade Architecture sourced local stone for the lower volume, creating a material connection between the building and the landscape.

A green roof and terrace are accessible from the top-floor kitchen.

Tom Sibley

Sustainable design was also an important factor in the residence. Each volume is oriented to take advantage of passive thermal strategies based on the home's materiality. The upper floor, with its triple-insulated glazing, is oriented to conserve energy by maximizing solar penetration and heat gain in the winter. In the summer, an overhanging canopy minimizes exposure to direct sunlight.

The kitchen is partially enclosed by a thick wall containing a bathroom. The dining and living spaces are completely open to each other.

Tom Sibley

The lower level features superinsulated walls, and stone flooring that creates a "thermal flywheel" to stabilize the temperature. The home also draws upon geothermal wells to heat and cool the building, and radiant floors are supplemented by a geothermal heatpump-driven forced air system. The homeowners plan to use remote solar cells to provide electricity for the building, allowing the home to be decoupled from the electrical grid.

Leather dining chairs contrast smoothly with a blue velvet sofa and ottoman.

Tom Sibley

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Softline Drum Pouf Tray

Add the Drum Pouf Tray to the Drum Pouf (sold separately) to transform the versatile pouf into a functional table. For parties, it can be removed and used for serving. Made in Denmark.

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Knoll Barcelona Chair

When Ludwig Mies van der Rohe was chosen to create the furnishings for the German Pavilion at the 1929 International Exhibition in Barcelona, he designed an iconic chair that many may not realize was born with royal roots. He built the Barcelona Chair to serve as seating for the king and queen of Spain, while he also designed a stool for the attendees to rest on. He formed an angular, tufted cushion that comes from a single cowhide—either Spinneybeck® or Edelman Leather. The support is made of cowhide belting straps that are dyed to match the color of the chair. In order to create such precise tufting, 40 leather panels are cut individually and are both hand-welted and hand-tufted with leather buttons. In 1953, Mies van der Rohe officially granted the production rights to Florence Knoll, who was a close friend during their time at the Illinois Institute of Technology. Today, Knoll continues to produce the chair in the U.S.A. to the exact specifications of the original design. Photo Courtesy of Knoll

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On the interior, Slade Architecture sought to use materials with low embodied energy. The home features extensive wood millwork—including the paneling in the mudroom and study, the cabinetry in the master bathroom, and the ceiling in the bathroom—sourced from trees located on the farm. 

The lower level is clad in locally sourced stone. The punched windows feature weathered steel accents.

Tom Sibley

Slade Architecture's approach unites the two volumes in cohesive, unified way while carrying out the desired functions and preserving sight lines to the landscape. 

On the lower level, stone flooring and superinsulated walls help regulate temperature and reduce energy needs.

Tom Sibley

The lower-level master bath matches horizontally oriented stone with wood cabinets and drawers made from on-site trees.

Tom Sibley

The glass second floor allows for views through the residence to the bucolic landscape beyond.

Tom Sibley

On the lower level, punched windows frame select views.

Tom Sibley

Related Reading: A Minimalist Retreat Rises From Old Stone Walls in Hudson Valley

Project Credits:

Architect of Record: Slade Architecture

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