The house features several courtyards, conveying an ever-present sense of indoor-outdoor living. Concrete walls are lined with yellow jasmine, and the wall sculpture is taken from Manuel Felguérez’s fence for the National Anthropology Museum.

See for Yourself After painting the sitting room room Kendall Charcoal from Benjamin Moore’s Aura line, Neely wanted a sculptural element that would show up against the dark hue. So he assembled his white Algues set, designed by the Bouroullec brothers for Vitra, on the wall behind the sofa with pillow by Judy Ross. “Though the Bouroullec piece is manufactured in mass quantities, you can create your own take on it,” he says. “It looks great no matter how you place it. I think of it almost like an inkblot—the randomness is part of its beauty.”

A longtime collector of furniture and art, Dr. Robert Geller finally lives among his prized possessions. In the living room, he sits on a Barcelona chair by Mies van der Rohe for Knoll. To his right are an Arco floor lamp by Achille and Pier Giacomo Castiglioni for Flos and a BeoLab 5 speaker from Bang & Olufsen. The sculptures to Geller’s left and in the foreground are by American artist Arlene Shechet, Everything Seems to be Something Else and Just Remembered.

The Standard Oil Sonambient sculptures are composed of rods ranging from four to 16 feet tall. At a June 2013 auction at Wright, fragments and maquettes of the sculpture sold for $12,500 to $374,500. "No other works in Bertoia's extensive oeuvre match the impressive scale of the Sonambients for the Standard Oil Commission," stated the catalog.

Other artists represented in the park include Lynn Chadwick, Tony Cragg, Sarah Sze, and Matt Johnson. But what makes this garden most compelling? The way the art practically disappears into the sprawling landscape of green meadows and Nordic pines.

An Alexander Calder sculpture at the Frederick R. Weisman Art Museum.

Peace No. 2, from 2001, is the earliest work in the exhibition. Zhang designed it while living in New York and sent instructions back to China, where it was fabricated. This 20-foot-tall bronze sculpture comprises of a gold-leaf replica of Zhang’s body dangling from the center of a traditional Buddhist bell. Image courtesy of Pace Gallery.

1913 Boccioni completes his sculpture Unique Forms of Continuity in Space.

Frieze sculpture garden featuring (L-R) Pollux by Tomas Saraceno, figurative sculpture by Jaume Plensa, and Jeppe Hein’s “Geometric Mirror I.”

Zhang Huan explains that the idea behind "Three Legged Buddha" was juxtaposing "two forces, one from heaven, one from earth, merging them together, but also putting them together as opposite forces." Storm King Art Center, gift of Zhang Huan and Pace Gallery. Photo: Jerry L. Thompson, © Zhang Huan Studio, courtesy Pace Gallery.

Zhang's "Three Legged Buddha" towers over the surrounding landscape. Photo: Jerry L. Thompson, © Zhang Huan Studio, courtesy Pace Gallery.

Art House 2.0 Interior: Stairway, Sculpture Garden

The deck offers views and a quiet spot for outdoor dining. The Western red cedar vertical siding is naturally resistant to rot and decay, making it a hardy choice for the exterior. The bronze wolf sculpture is by Sharon Loper.

Andrew Weinstein stands in the living room of his Long Island abode designed by Bates Masi + Architects. The architects toggled wall panels and panes of custom-cut window glass on the front of the house that let in light while leaving room for large-format artwork like Adam Parker Smith’s American Totem.

An early piece created when he was a masters student at the University of Kansas, and one of Castle's first commissions, is more wall sculpture than furniture.

The sculptures by the entrance were crafted by Haitian sculptor Serge Jolimeau. Azor worked with artist Barbara Prézeau-Stephenson on the eye-catching front door: he made slight modifications, though she fabricated the iron pieces and he credits her with the core design.

Bertoia housed many Sonambient sculptures in a barn near his home. His daughter Celia fondly recalls exploring the space. "Harry always told people he saved the best ones for the barn," she says. "When I was in high school, my girlfriends and I would sneak into the barn. We’d go running around in there and bang on all the different sculptures and just have a cacophony of sound in there—oh, it was fabulous! The whole concept is to have a sculpture that is not only visually pleasing but it’s auditory and tactile. If you were standing on the floor and all these pieces were toning you could even feel the vibration in the floor. It got in your whole body." "In the barn, because there were so many of them there, it created this amazing aura and mood, almost spiritual," Celia says. "It would affect people differently: A jet pilot comes in there and he thinks it sounds like roaring planes. A group of nuns came in the barn and they said it sounded like church bells chiming. Each person interprets it in his or her own way."

With over 18 new escalators installed, the design has no shortage of potential viewpoints. The design is 82 feet tall, uses 140 tons of steel, and soars through the atrium thanks to its double-curved parabolic shape.

Taking inspiration from the Printemp's cupola, this sculpture features petal-shaped pieces of dichroic glass: the glass changes color depending the viewer's position, thereby creating a visually dynamic experience for shoppers moving through and up the atrium.

From Gaggiandre The Gaggiandre at the Arsenale, two docks built between 1568 and 1573 designed by Jacopo Sansovino flanked by arched walkways are the frame and inspirational source for the sculpture ‘Radix’ made by Portuguese architect Aires Mateus, an arch supported by three points and an imaginary fourth corner hanging over the Venitian Lagoon. A harmonic place to stay and rest where history, sensitivity, technology, culture and a certain affection to the site comes into the common ground that the biennale stands for.

Green glass on the ceiling tempers views of the sky overhead.

For the Skirball Cultural Center's Women Hold Up Half the Sky exhibition (October 2011–March 2012), Layer contributed Wish Canopy, a sculpture made from 1,500 interlinked pieces. Photo by Carren Jao.

Highway Junction 14-5 (detail), 2002

Vriesendorp also crafted a series of paper hands, a reference to Bo Bardi's habit of drawing attention to important details in her notes.

“We’re taking a ‘slow-life’ approach to decorating, putting things up at an easy pace and not stressing about having to fill a wall just because it’s blank," says Paul.

Art House 2.0 Interior: Gallery Like Hallway

"Kodama Sculpture", a 2009 ceramic sculpture by Pratt Institute student Jeff Rubio.

Juhana Myllykoski’s Hidden collection for Sculptures Jeux includes a series of of shelves and hooks that provide a playful and unobtrusive solution to storing coats and bags.

A Toto toilet and bathroom sink, with a faucet by GROHE, are illuminated by a Leucos light fixture. Birgit Piskor designed the sculpture in the garden beside the shower.

The ground floor of the house contains the living and dining areas, as well as four bedrooms. The upper floor contains the master suite with a lake view, as well as two additional bedrooms. The large 'S' sculpture, shaken from a building following the 2001 earthquake in San Salvador, was salvaged and repurposed by designer Gerardo Dumont.

Erika: Ai Weiwei Forever Bicycles Sculpture As part of Scotiabank Nuit Blanche Toronto, a weeks-long art celebration, world-renowned Chinese artist and activist Ai Weiwei has just opened an exhibition of his Forever Bicycles sculpture in Toronto's Nathan Phillips Square. The exhibition consists of 3,144 interconnected bicycles forming a three-dimensional structure that creates an incredible visual effect.

Artist Cheryl Eckstrom’s aluminum bean bag chair sculpture plays with perspectives of soft and hard.

The Zen-inspired retreat is divided into two volumes, a private and communal wing. A Terracotta Army sculpture keeps watch in the courtyard.

Michael Anastassiades marble sculpture series. (They look like chips but we wouldn't recommend biting them.)

Kinetic Wire Sculpture by Alexander Calder The American artist’s hanging artworks—referred to as “mobiles” by contemporary Marcel Duchamp—are exercises of abstraction and color in motion.

Here's a close-up of the musical sculpture.