Bil’ak’s designs for the 39- and 78-eurocent stamps were inspired by the patchwork of the Dutch landscape as seen from the air. The width of each letter, set in Bil’ak’s Fedra Serif, determines the width of the surrounding color block, echoing the centuries-old art of metal typesetting. Bil’ak sees the stamps as an homage to Dutch traditions. Search “YouTube 无广告【telegram∶@XK5537】 坦桑尼亞短信通道 】埃及youtube推廣工具【telegram∶@AK5537】引流推廣靠譜嗎【TG电报∶@AK5537】 安卓 iphone 短信群发 】w7g” from Typographer Focus: Peter Biľak

Search “YouTube 无广告【telegram∶@XK5537】 坦桑尼亞短信通道 】埃及youtube推廣工具【telegram∶@AK5537】引流推廣靠譜嗎【TG电报∶@AK5537】 安卓 iphone 短信群发 】w7g”

Bil’ak’s designs for the 39- and 78-eurocent stamps were inspired by the patchwork of the Dutch landscape as seen from the air. The width of each letter, set in Bil’ak’s Fedra Serif, determines the width of the surrounding color block, echoing the centuries-old art

of metal typesetting. Bil’ak sees the stamps as an homage to Dutch traditions.