Bil’ak’s designs for the 39- and 78-eurocent stamps were inspired by the patchwork of the Dutch landscape as seen from the air. The width of each letter, set in Bil’ak’s Fedra Serif, determines the width of the surrounding color block, echoing the centuries-old art of metal typesetting. Bil’ak sees the stamps as an homage to Dutch traditions. Search “Google北馬裏亞納群島雙向短信卡發【TG飞机∶@AK6893】北馬裏亞納群島雙向短信卡發【TG飞机∶@AK6893】w0g” from Typographer Focus: Peter Biľak

Search “Google北馬裏亞納群島雙向短信卡發【TG飞机∶@AK6893】北馬裏亞納群島雙向短信卡發【TG飞机∶@AK6893】w0g”

Bil’ak’s designs for the 39- and 78-eurocent stamps were inspired by the patchwork of the Dutch landscape as seen from the air. The width of each letter, set in Bil’ak’s Fedra Serif, determines the width of the surrounding color block, echoing the centuries-old art

of metal typesetting. Bil’ak sees the stamps as an homage to Dutch traditions.