Bil’ak’s designs for the 39- and 78-eurocent stamps were inspired by the patchwork of the Dutch landscape as seen from the air. The width of each letter, set in Bil’ak’s Fedra Serif, determines the width of the surrounding color block, echoing the centuries-old art 

of metal typesetting. Bil’ak sees the stamps as an homage to Dutch traditions.  Search “代竞价开户推广【88SEO.CC】 萨摩亚facebook群发 】坦桑尼亞ZacSEO【telegram∶@AK5537】seo網站優化價格【telegram∶@AK5537】 fb推广 503 】w2l” from Typographer Focus: Peter Biľak

Search “代竞价开户推广【88SEO.CC】 萨摩亚facebook群发 】坦桑尼亞ZacSEO【telegram∶@AK5537】seo網站優化價格【telegram∶@AK5537】 fb推广 503 】w2l”

Bil’ak’s designs for the 39- and 78-eurocent stamps were inspired by the patchwork of the Dutch landscape as seen from the air. The width of each letter, set in Bil’ak’s Fedra Serif, determines the width of the surrounding color block, echoing the centuries-old art

of metal typesetting. Bil’ak sees the stamps as an homage to Dutch traditions.