Bil’ak’s designs for the 39- and 78-eurocent stamps were inspired by the patchwork of the Dutch landscape as seen from the air. The width of each letter, set in Bil’ak’s Fedra Serif, determines the width of the surrounding color block, echoing the centuries-old art of metal typesetting. Bil’ak sees the stamps as an homage to Dutch traditions. Search “专业推广谷歌seo【TG电报∶@AK5537】 中非google竞价 】印度google优化【telegram∶@XK5537】产品外贸推广ppt【TG飞机∶@AK5537】 直布罗陀谷歌开户 】w0y” from Typographer Focus: Peter Biľak

Search “专业推广谷歌seo【TG电报∶@AK5537】 中非google竞价 】印度google优化【telegram∶@XK5537】产品外贸推广ppt【TG飞机∶@AK5537】 直布罗陀谷歌开户 】w0y”

Bil’ak’s designs for the 39- and 78-eurocent stamps were inspired by the patchwork of the Dutch landscape as seen from the air. The width of each letter, set in Bil’ak’s Fedra Serif, determines the width of the surrounding color block, echoing the centuries-old art

of metal typesetting. Bil’ak sees the stamps as an homage to Dutch traditions.