The cords proved supple enough to support dancers leaning on them, but still affected a desired lightness. The collaboration with King was born of a relationship that started over a decade ago. Haas's wife had danced for King in the late 90s, but it wasn't until the mid-aughts when Haas did his first with King: abstracted furniture made from copper scraps from the skin of the de Young Museum. This project, Triangle of the Squinches, was the result of winning an Artist Collaboration Grant from the Wallace Alexander Gerbode Foundation & the William and Flora Hewlett Foundation. Photo by Angela Sterling. Photo 2 of 8 in LINES Ballet's Mod Sets by Aaron Britt

LINES Ballet's Mod Sets

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The cords proved supple enough to support dancers leaning on them, but still affected a desired lightness. The collaboration with King was born of a relationship that started over a decade ago. Haas's wife had danced for King in the late 90s, but it wasn't until the mid-aughts when Haas did his first with King: abstracted furniture made from copper scraps from the skin of the de Young Museum. This project, Triangle of the Squinches, was the result of winning an Artist Collaboration Grant from the Wallace Alexander Gerbode Foundation & the William and Flora Hewlett Foundation. Photo by Angela Sterling.