Haas designed two different sets for the two acts of the ballet. The first was a long curtain of shimmering, gossamer elastic cords. Almost immediately the dancers created three triangular gaps in the curtain, setting up one of the central activities of the ballet: interacting with the set. "I'd thought of three or four different things for the sets," Haas told me, "but finally only two were strong enough and had enough layers of usage to really work." Photo by Angela Sterling. Photo 1 of 8 in LINES Ballet's Mod Sets by Aaron Britt

LINES Ballet's Mod Sets

1 of 8

Haas designed two different sets for the two acts of the ballet. The first was a long curtain of shimmering, gossamer elastic cords. Almost immediately the dancers created three triangular gaps in the curtain, setting up one of the central activities of the ballet: interacting with the set. "I'd thought of three or four different things for the sets," Haas told me, "but finally only two were strong enough and had enough layers of usage to really work." Photo by Angela Sterling.