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Day’s Herb Antony fabric for Heal’s (1956) is an example of her bright, optimistic prints that were an antidote to the austerity of World War II and were widely embraced as a fresh alternative to traditional floral fabrics. Image courtesy of The Robin & Lucienne Day Foundation. Collection of Jill A. Wiltse and H. Kirk Brown III, Denver.  Photo 4 of 5 in All in a Day's Work
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