Breeze
A range by Falcon stands in the kitchen; Apollo pendants by Masson for Light hang above the island. Polished concrete flooring acts as a uniting tone between the room's black and white surfaces.
“We kept the tones very neutral because we wanted the colors of the garden to come through,” Ong says. “Light also plays an important role here, and again the neutral tones help highlight the changes in the light and sky.” Ong’s team used Melbourne's Ajar Furniture and Design store to supply the home's furnishings, and this Marcel Breuer Club Chair Model B3 sits off the dining room.
“Natural light was not great in this house,” Ong says. “So it was important that we came up with a concept that allowed natural light to flow through the new extension and also to the existing front part of the house.”
“The new living area is now nestled between the rear garden and the new courtyard,” Ong says. “We felt this approach not only respected [the clients’] interests and lifestyle, but we hope it will enhance it.” Aluminum-framed windows and doors by Capral allow the owners to bring the outside in.
Ong refers to the open space between the old and new structures as “the void,” and he says it's meant “to enhance the ‘pavilion’ concept" of the dwelling. Four sets of sliding glass doors surround the space.
An Envy II Wall-Faced Suite toilet by Parisi sits in the home’s sole bathroom and Caroma’s Starlett 1850 Island Bath was installed next to the window.
“Instead of extending the new living area from the existing house, we decided to build a stand-alone structure off the front house and connect the two spaces with a central passageway,” Ong says. This made the back of the home distinctive from the Edwardian front. Recyled brick was used to create the connecting hallway.