Rolling Huts (Winthrop, United States)

A series of six modernist huts created by Tom Kundig of Olson Kundig Architects, the Rolling Huts look like rustic case study homes, a herd of designer cabins that just may exemplify the term 'glamping.' Elevated on stilts, the 200-square-foot structures offer another level of outdoor accommodation. 

Photos by Chad Kirkpatrick
Rolling Huts (Winthrop, United States) A series of six modernist huts created by Tom Kundig of Olson Kundig Architects, the Rolling Huts look like rustic case study homes, a herd of designer cabins that just may exemplify the term 'glamping.' Elevated on stilts, the 200-square-foot structures offer another level of outdoor accommodation. Photos by Chad Kirkpatrick
Architects: Kirsten Murray, Tom Kundig
Architects: Kirsten Murray, Tom Kundig
superrkül dubbed this project the Stealth Cabin because it's hidden in the landscape and will continue to recede in view over time. Photo by Shai Gil.
superrkül dubbed this project the Stealth Cabin because it's hidden in the landscape and will continue to recede in view over time. Photo by Shai Gil.
The house is located in the Camp Biscayne area of Coconut Grove, a neighborhood in Miami. Its main volume is clad in Prodema.
The house is located in the Camp Biscayne area of Coconut Grove, a neighborhood in Miami. Its main volume is clad in Prodema.
“We really wanted to capture the ruinous quality of this old building rather than do something overtly new,” says Greg Blee, founding partner at Blee Halligan Architects. Before construction could begin, however, he and Halligan had to patch the remaining walls using stones found in the nearby river. Wherever a wall had collapsed, the designers inserted framing to create windows and doors. For the roof, they turned to the original tiles. “My father’s terrible at throwing things away,” Blee says. “We took the tiles off 30 years ago, as it was too dangerous to have them up there. They’ve been sitting in the fields ever since, and this was our last chance to use them.”
“We really wanted to capture the ruinous quality of this old building rather than do something overtly new,” says Greg Blee, founding partner at Blee Halligan Architects. Before construction could begin, however, he and Halligan had to patch the remaining walls using stones found in the nearby river. Wherever a wall had collapsed, the designers inserted framing to create windows and doors. For the roof, they turned to the original tiles. “My father’s terrible at throwing things away,” Blee says. “We took the tiles off 30 years ago, as it was too dangerous to have them up there. They’ve been sitting in the fields ever since, and this was our last chance to use them.”
Set in the lush Wisconsin forest, this neatly stacked cabin was built vertically in order to minimize the amount of grading and landscaping necessary for construction. Photo by: Narayan Mahon
Set in the lush Wisconsin forest, this neatly stacked cabin was built vertically in order to minimize the amount of grading and landscaping necessary for construction. Photo by: Narayan Mahon
The winglike dips in the roofline situate and hold the house against the region’s brutal winds. As the outdoor chairs attest, lifestyles here pass easily between inside and out; a long hike and a good swim are always just steps away
The winglike dips in the roofline situate and hold the house against the region’s brutal winds. As the outdoor chairs attest, lifestyles here pass easily between inside and out; a long hike and a good swim are always just steps away
Ziger/Snead Architects constructed this ode to rowing in rural Virginia for a Baltimore couple who share a love of sculling. “Everywhere in the house you can see the moment where land meets water,” says Douglas Bothner, an associate at the firm.
Ziger/Snead Architects constructed this ode to rowing in rural Virginia for a Baltimore couple who share a love of sculling. “Everywhere in the house you can see the moment where land meets water,” says Douglas Bothner, an associate at the firm.
The building takes advantage of passive heating and cooling, thanks to Blee and Halligan's strategic design to capture the most sunlight in the winter and provide the most shade in the summer. The above-ground glass facade faces east and draws in the daylight, but when the sun proves too strong, whoever is staying in the structure can close the internal shutters to beat the heat.
The building takes advantage of passive heating and cooling, thanks to Blee and Halligan's strategic design to capture the most sunlight in the winter and provide the most shade in the summer. The above-ground glass facade faces east and draws in the daylight, but when the sun proves too strong, whoever is staying in the structure can close the internal shutters to beat the heat.
An outdoor bathroom is tucked away, out of sight, in the garden. “The external fencing and outdoor shower were constructed using recycled materials from a collapsed shed near the site,” Simpson says.
An outdoor bathroom is tucked away, out of sight, in the garden. “The external fencing and outdoor shower were constructed using recycled materials from a collapsed shed near the site,” Simpson says.
In the dining area, Emeco Navy chairs tuck into a custom fir table with metal legs. Lapalma Thin bar stools offer extra seating around the kitchen counter. Appliances include a Wolf propane range, integrated Subzero fridge, and Miele dishwasher.
In the dining area, Emeco Navy chairs tuck into a custom fir table with metal legs. Lapalma Thin bar stools offer extra seating around the kitchen counter. Appliances include a Wolf propane range, integrated Subzero fridge, and Miele dishwasher.
Challenged by the dimensions of the narrow lot, the team worked through significant programmatic and logistical constraints during the design and construction process. The final concept for the layout was a modern take on the side hall plan. The living spaces are stretched back deep into the lot, and strategically raised above grade to allow sunlight to penetrate into multiple living spaces. The multifunctional courtyard serves as outdoor workspace, gardening area, children's play area, and covered parking during winter months.
Challenged by the dimensions of the narrow lot, the team worked through significant programmatic and logistical constraints during the design and construction process. The final concept for the layout was a modern take on the side hall plan. The living spaces are stretched back deep into the lot, and strategically raised above grade to allow sunlight to penetrate into multiple living spaces. The multifunctional courtyard serves as outdoor workspace, gardening area, children's play area, and covered parking during winter months.
"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
"We did our best to tuck the buildings into the site—the goal was to get up high on a perch. It was a matter of setting that elevation and working back down with the topography," says architectural designer Riley Pratt.
The units don't even require foundations—simple ground screws from Krinner are enough to support them.
The units don't even require foundations—simple ground screws from Krinner are enough to support them.
Sævik compares her house to a contemplative hideout. “It’s very quiet,” she says. “You can concentrate and let thoughts fly.” Her favorite summer pastimes include reading, painting, drawing, yoga, and “just sitting and feeling the forest,” she says.
Sævik compares her house to a contemplative hideout. “It’s very quiet,” she says. “You can concentrate and let thoughts fly.” Her favorite summer pastimes include reading, painting, drawing, yoga, and “just sitting and feeling the forest,” she says.
This 3,200-square-foot structure was assembled with a prefabricated foundation, concrete panel siding, and efficient built-ins, minimizing construction debris and toxins—such as concrete foundation tar—on the site.
This 3,200-square-foot structure was assembled with a prefabricated foundation, concrete panel siding, and efficient built-ins, minimizing construction debris and toxins—such as concrete foundation tar—on the site.
Lushna's dwellings are available in Europe and the U.S., though for customers in the latter, prices can vary based on shipping costs and taxes. The baseline price of Villa Massive, seen here, is approximately $9,375. The canvas-lined Villa Air's is $4,453. To see Lushna's full range of products, visit their website here!
Lushna's dwellings are available in Europe and the U.S., though for customers in the latter, prices can vary based on shipping costs and taxes. The baseline price of Villa Massive, seen here, is approximately $9,375. The canvas-lined Villa Air's is $4,453. To see Lushna's full range of products, visit their website here!
Two El Dorado principals, Douglas Stockman and David Dowell, enlisted the elbow grease of students in their fifth-year design studio at Kansas State University to help design and fabricate the bunkbeds that line the cabin walls.
Two El Dorado principals, Douglas Stockman and David Dowell, enlisted the elbow grease of students in their fifth-year design studio at Kansas State University to help design and fabricate the bunkbeds that line the cabin walls.
Wheelhaus founder and CEO Jamie Mackay creates prefabs with the same quality and durability of the log cabins he grew up with, while also incorporating his values of green production and modern design. Although it takes about four months to construct his prefabricated properties, it takes about a week for the home to be delivered, and then three to five days for the house to be set up on site.
Wheelhaus founder and CEO Jamie Mackay creates prefabs with the same quality and durability of the log cabins he grew up with, while also incorporating his values of green production and modern design. Although it takes about four months to construct his prefabricated properties, it takes about a week for the home to be delivered, and then three to five days for the house to be set up on site.
The two-tone corrugated metal cladding helps the sheds blend into the landscape, along with windows custom-colored by the manufacturer to match.
The two-tone corrugated metal cladding helps the sheds blend into the landscape, along with windows custom-colored by the manufacturer to match.
When not in use as the headboard, the large redwood slab folds down to become a desk.
When not in use as the headboard, the large redwood slab folds down to become a desk.
Sævik designed the wood tub in the bathroom, which features an adjacent sauna. The Inxx A5 faucet is by Mora.
Sævik designed the wood tub in the bathroom, which features an adjacent sauna. The Inxx A5 faucet is by Mora.
This dwelling joins a number of structures—such as a boathouse and guesthouse—owned by one family and used for vacations. They needed a new house to accommodate new generations at the reatreat.
This dwelling joins a number of structures—such as a boathouse and guesthouse—owned by one family and used for vacations. They needed a new house to accommodate new generations at the reatreat.
A cantilevered cabin designed by R D Gentzler blends into the forest, even as it hovers above a 20-foot drop-off. Its south face is almost entirely glass, but a roof canopy limits solar gain. “We sit on the deck all afternoon watching the trees, and the time just flies by,” says resident Maricela Salas.
A cantilevered cabin designed by R D Gentzler blends into the forest, even as it hovers above a 20-foot drop-off. Its south face is almost entirely glass, but a roof canopy limits solar gain. “We sit on the deck all afternoon watching the trees, and the time just flies by,” says resident Maricela Salas.
Cement panels painted a plum hue clad Jason Gordon’s 1,157-square-foot cabin in the Ozark Mountains. Architect German Brun and partner Lizmarie Esparza originally specified wood, but opted for the much less expensive material from James Hardie after contractor Damian Fitzpatrick recommended it. “It was an exercise in cost engineering,” Brun says.
Cement panels painted a plum hue clad Jason Gordon’s 1,157-square-foot cabin in the Ozark Mountains. Architect German Brun and partner Lizmarie Esparza originally specified wood, but opted for the much less expensive material from James Hardie after contractor Damian Fitzpatrick recommended it. “It was an exercise in cost engineering,” Brun says.
The Outward Bound cabins, designed by the University of Colorado Denver's design-build program, have steel frames that lift the structures above a three-foot snowpack while supporting corrugated-steel "snow roofs."
The Outward Bound cabins, designed by the University of Colorado Denver's design-build program, have steel frames that lift the structures above a three-foot snowpack while supporting corrugated-steel "snow roofs."
"The overall design is influenced by the use of traditional, locally available, and/or low-maintenance materials such as corrugated metal roofing, cement board lap-siding, heavy timber construction, and indigenous wood species," Brun says.
"The overall design is influenced by the use of traditional, locally available, and/or low-maintenance materials such as corrugated metal roofing, cement board lap-siding, heavy timber construction, and indigenous wood species," Brun says.
“I wanted the buildings to be crisp, bold, and clean,” Coleman said. Exterior vertical siding is made from locally sourced cedar stained in a “hazelnut” shade by Sikkens Cetol SRD.
“I wanted the buildings to be crisp, bold, and clean,” Coleman said. Exterior vertical siding is made from locally sourced cedar stained in a “hazelnut” shade by Sikkens Cetol SRD.
Windows by Milgard allow for views of the terrace below the cabin’s bedroom and the expanse of trees beyond.
Windows by Milgard allow for views of the terrace below the cabin’s bedroom and the expanse of trees beyond.
The building was built in 1910. "It’s a pretty raw space with rough exposed brick, barrel vaulted ceilings, original hardwoods, and exposed ducting," Greenawalt says. "We tried to use industrial materials—stainless steel, perforated steel, brick—in a more refined way for the kitchen."
The building was built in 1910. "It’s a pretty raw space with rough exposed brick, barrel vaulted ceilings, original hardwoods, and exposed ducting," Greenawalt says. "We tried to use industrial materials—stainless steel, perforated steel, brick—in a more refined way for the kitchen."
Every room in the home has views to the outdoors, including the loft. Glass walls box in Womb Chairs by Modern Classics.
Every room in the home has views to the outdoors, including the loft. Glass walls box in Womb Chairs by Modern Classics.
Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.
Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.
In 1962, Skidmore, Owings & Merrill architect Arthur Witthoefft won the AIA's highest honor for a home he built in the lush woods of Westchester County. Having fended off a developer's wrecking ball, Todd Goddard and Andrew Mandolene went above and beyond to make this manse mint again.
In 1962, Skidmore, Owings & Merrill architect Arthur Witthoefft won the AIA's highest honor for a home he built in the lush woods of Westchester County. Having fended off a developer's wrecking ball, Todd Goddard and Andrew Mandolene went above and beyond to make this manse mint again.
“What often happens in our relationship is I come to Funn with an idea and he makes it into something livable.” —Vincent Kartheiser
“What often happens in our relationship is I come to Funn with an idea and he makes it into something livable.” —Vincent Kartheiser
A standing-seam steel roofing panel clads a portion of the exterior, while the aluminum pipes also serve as the railing for the roof deck. The family cooks all their meals at the fire pit outside.
A standing-seam steel roofing panel clads a portion of the exterior, while the aluminum pipes also serve as the railing for the roof deck. The family cooks all their meals at the fire pit outside.
In the living area of actor Vincent Kartheiser’s Hollywood cabin, redesigned by Funn Roberts to maximize every last inch of space, an Eames lounge chair and ottoman mix with a couch and coffee table by Cisco Home from HD Buttercup. The table in the main room is from West Elm.
In the living area of actor Vincent Kartheiser’s Hollywood cabin, redesigned by Funn Roberts to maximize every last inch of space, an Eames lounge chair and ottoman mix with a couch and coffee table by Cisco Home from HD Buttercup. The table in the main room is from West Elm.

32.1k more photos