Architects: Kirsten Murray, Tom Kundig

“From the street, it appears as a rectangular building with sloping shed roofs, but this is actually an illusion,” Hutchison notes. “The floor plan is actually U-shaped, wrapping around an entry courtyard that is contained by the continuous west facade.” A standing seam metal roof by Custom Bilt Metals blends in with the cedar siding.

This 3,200-square-foot structure was assembled with a prefabricated foundation, concrete panel siding, and efficient built-ins, minimizing construction debris and toxins—such as concrete foundation tar—on the site.

This dwelling joins a number of structures—such as a boathouse and guesthouse—owned by one family and used for vacations. They needed a new house to accommodate new generations at the reatreat.

The architects designed the large dining table, which is framed by the open kitchen, the wood-burning stove, and the garden beyond.

A linear sequence of eight, 12-foot bays extends the length of the home from rear bedrooms and an office to the open kitchen and living room space. The modest form, a reflection of the owners' desire for simplicity, required few materials: wood, concrete, and steel. Photo by Ron Johnson.

One of the main goals of the construction was to do as little harm as possible to the existing environment, which includes waterways that salmon depend upon. Herrin and his team created a garden roof that covers the full extent of the home to meet this objective. “This helps control storm water runoff and also replaces lost insect habitat—insects being a critical food source for juvenile salmon,” he says.

Wood from the property’s felled trees was incorporated into every room in the 3,000-square-foot house.

Located in California’s Sugar Bowl neighborhood, this shadowy lair by Mork-Ulnes Architects looks like something out of fairy tale. "We call the house Troll Hus, with a reference to the otherworldly beings in Norse mythology and Scandinavian folklore that are said to dwell in remote mountains," architect Casper Mork-Ulnes says.

Erin Moore of FLOAT Architectural Research and Design, based in Tucson, Arizona, designed a 70-square-foot writer’s retreat in Wren, Oregon, for her mother, Kathleen Dean Moore, a nature writer and professor of philosophy at nearby Oregon State University. The elder Moore wanted a small studio in which to work and observe the delicate wetland ecosystem on the banks of the Marys River. Enlisting her daughter’s design expertise, her professor husband’s carpentry savoir faire, the aid of friends, and a front loader, Kathleen and her crew erected the structure in September 2007. Photo by Gary Tarleton. Totally off the grid—–Kathleen forgoes the computer and writes by hand when there—–the Watershed was designed to tread as lightly on the fragile ecosystem as the wild turkeys and Western pond turtles that live nearby. “

Set amongst the trees, with its simple form and earthy adherence to wood, the home fits in well. "Veronica and I walked the land for many months before we decided where to put the house," says Hirsh. "We had picnics there. We sat looking east. We sat looking west. We sat looking south. The site felt wonderful." Photo by Ron Johnson.

The material was gathered from soil with high sand content on the property as well as a second site in the vicinity. Certain volumes of the home consist of a concrete structure and brick masonry.

The trip from garage to first floor is through a wood-clad spiral staircase that resembles a giant slatted barrel.

The units don't even require foundations—simple ground screws from Krinner are enough to support them.

While it's not your traditional backsplash material, when properly prepared and treated, wood can make for an effective, functional, and beautiful backsplash. Here, the wood backsplash matches the wood of the nearby kitchen island in an otherwise white kitchen with white cabinetry.

The diminutive Morsø wood stove and its hearth of local Criehaven beach stone gives off enough heat to warm the entire cottage.

"We composed the house to have its highest, brightest space in the middle," says Paul Raff. Warm wood stairs lead to the second floor, which houses guest bedrooms, bath, and a kitchenette for the family's frequent visitors.

The children’s rooms, which are reserved for family and an extended network of friends, feature more custom Crasset-designed beds set against a vivid blue backdrop, courtesy of the French paint brand Zolpan.

The couple stockpiles wood under the deck.

A sofa from Design Within Reach opposes a Hi Turn chair by Bensen in the living room.

“Consistent with the lakefront cabin charm, the owners liked the idea of accessing much of the house from outdoor porches and walkways,” says architect Ted Flato. Supplies from Dynamic Architectural Windows and Doors bring light in to the home’s covered spaces.

Custom-designed furniture outfits the interior of a bunker-turned-vacation retreat in the Netherlands.

“Peter and I’ve got shockingly similar and far-reaching design inspirations. Our conversations would move easily from brutalism to driftwood to kachinas and then flow right back to something applicable to architecture. I can’t tell you how many times I will do that with a less-design-literate client and just get a blank stare!” —Architect Craig Steely

Architect Brian Zulaikha.

Located just off the kitchen, this room was originally designed for dining—the adjustable Ligne Roset Crescendo coffee table can be raised to 28.75 inches—but most days Bill and Abbie prefer to eat outside or at their casual Caesarstone-topped kitchen island. Today the space serves as a sunny reading spot and guest room, with a convertible futon (from Ligne Roset, since discontinued) and a set of leather-and-steel Paulistano armchairs from Design Within Reach.

The rooftop tent can be accessed from the interior via a wooden ladder or—for the more athletic—via a series of wall-mounted climbing holds, made by Vock and carved from persimmon-tinted hardwood.

To allude to the nearby ocean, the architects designed a seaweed patterned for the interior of the garage door (seen here raised). It successfully reads like a leather padded wall and makes “the cube” feel that much more customized.

Oman and his partner Andrej Gregoric had the cupboards, stairs, and bed all custom-made. The interior casework provides storage and adds warmth to the concrete walls.

The home's exposed concrete skeleton, wrapped in oak, creates a warm, layered space for living. Oman split the floors by function, with common areas on the ground level, followed by the kids' rooms and then a third-floor suite for the parents.

Quarter sawn Oak wood floors spread across the home’s shared rooms.

Scandinavian architecture firm C.F. Møller designed a serene, zinc-clad home in Aarhus, Denmark. On the interior, a large, three-sided fireplace incorporated into a floating wall helps connect two spaces and warm up the home, and the wall also incorporates a purpose-designed niche filled with firewood for easy re-stoking.

A consistent wood palette makes the interior feel cohesive.

“There had been two or three primitive cabins on the property in the past, which resulted in a clearing that we utilized for the site,” Joseph Herrin says. “This allowed us to avoid any further tree removal for construction, and provided an opportunity to begin to restore that portion of the property with native landscaping.”

Landscape architect Tait Moring installed pavers around the structure’s perimeter and kept the tree cover intact. Photo by: Kimberly Davis

The library is lined in reclaimed spotted gum that Maynard says “brings with it wisdom from its previous life.” A stained glass window by Leigh Schellekens makes the contemplative room feel like a domestic chapel.

Japanese showers are usually set low down so the bather can sit on a stool and scrub, then pour cedar buckets of hot water over their heads for a refreshing rinse. This homeowner in Venice, California mounted a handheld shower head on the wall for added flexibility. The drain is under the removable cedar floor slats, keeping the room design uncluttered. Wood tubs are cleaned with a simple rinse and last for decades, as the antiseptic properties of cedar guard against mold and rot. This ofuro was designed by Santiago Ortiz and fabricated by Bartok Design.