Across from the entrance is the main staircase, which leads to the bedrooms.

“Peter and I’ve got shockingly similar and far-reaching design inspirations. Our conversations would move easily from brutalism to driftwood to kachinas and then flow right back to something applicable to architecture. I can’t tell you how many times I will do that with a less-design-literate client and just get a blank stare!” —Architect Craig Steely

In this sleek kitchen renovation in San Francisco, the kitchen backsplash is an easy-to-clean glass backsplash that mimics the glossy finish of the surrounding white cabinets. Painters accomplished the high-gloss finish on the cabinets of a kitchen in San Francisco by applying a coat of paint, polishing it with very high-grit sandpaper, repeating the process for each layer, then topping it with three coats of clear varnish. "It’s like an auto body," says builder Jeff King. "It’s incredibly beautiful." The island provides shelving space and storage as well as a second sink, an is topped with pietra grigio marble.

Russell-Clarke tends a small garden.

Designer Jeff Sand’s Universal Chairs combine his love for classic French café chairs with an appreciation for “the beautiful metal casings on an old Moto Guzzi.” Sand Studios also designed the dining table and pendant lamp.

In the bathroom, a teak live-edge countertop and custom yellow cabinet support a double wash basin by Duravit. A mirror from Restoration Hardware hangs below custom lights, designed by the homeowner for a steampunk look.

The kitchen is marked by its Wolf gas range, white Carrara marble countertop bar, and Cobb Rise & Fall pendants by Original BTC. The architect designed a custom wine glass holder, which hangs nearby.

Roberto Burneo designed this home for his eldest niece, her husband, and their three young children in a suburb outside Quito, the capital of Ecuador. The house is set on a flat expanse of land with fruit trees, and Burneo's design "guides the social areas inward in order to link them to the gardens.”

Burneo took advantage of the perpendicular orientation of the volumes to create outdoor spaces that look out to the gardens.

Sawn wood planks add texture to the interior walls.

Burneo oriented the house in a pair of perpendicular volumes. The ground floor houses the public areas, including a study, while the top volume, housing the bedrooms and a family room, is oriented north-south, allowing for warm sunlight and a visual orientation toward the gardens.

The custom kitchen counters are concrete, and the yellow dining chairs add a welcome splash of color.

Burneo added exposed brick to his palette of interior materials.

The three levels of the house transition from public to private: The ground floor is composed of the kitchen and living-dining area; the bathroom and closet occupy the mezzanine, accessed by a ship’s ladder; and the sleeping loft hovers a couple steps above. The seminal 1970s tome A Pattern Language, written by Christopher Alexander, Sara Ishikawa, and Murray Silverstein, inspired the layout. “I’m a huge proponent of the [book],” says Azevedo. “I like the ideas of a bed as an alcove, natural light on two sides of a room, varying ceiling heights, and different levels of privacy.”

The architect placed the windows at Sabrina’s eye level so that she’d be able to see her son, Rocco, playing in the yard outside. "You can feel the seasons changing here," says Chiavelli. "I grew up three miles from here, outside in nature. This is a house for experiencing life."

“By creating high ceilings with large windows, the feeling is all about space and light,” says architect Robert Nebolon, principal of Berkeley firm Robert Nebolon Architects. The 2,100-square-foot floating house was built on land in six months before settling into its final location in Mission Creek.

In the second floor master bedroom, a custom captain’s bed designed by the homeowner, features drawers and storage underneath. Its towering height allows for views out the nearby window.

Their creative confections may ruin our diets, but we’re happy to be their taste testers anytime.

“The house was designed to complement the challenging triangular corner site and its context.” —George Bradley, architect.

Heath Ceramics tile continues in the master bathroom.

The roof deck has a commanding view. “We have friends out here in the summer and stay too long drinking wine,” says Bradley.

Made of black anodized aluminum with stainless steel hinges, the home’s warehouse-style windows are designed to withstand corrosion. No wood was used on the exterior except for the dock, called a finger pier, which allows access to the front door and the couple’s boat. The home looks out onto downtown San Francisco, with AT&T Park visible from the main deck.

Generous storage is key to an uncluttered look. Drawers for shoes tuck away under the raised mezzanine floor.

The living room floor is made of Australian cypress with a tung oil finish. A Solas wall-mounted fireplace by Hearth Innovators and a curious chair, by Putra Salahin in Bali, complement the sun-drenched space.

Croyle reclines on a Soft Dream sofa by Antonio Citterio for Flexform. The coffee table is by One & Co, where Croyle was formerly a partner, for Council, the rug is Kymo, and the side chairs are Cappellini.

Architect George Bradley and his husband, Eddie Baba, renovated a 1941 house in San Francisco. A painting by Richard Wright and a sofa by Paolo Piva for B&B Italia dominate the family room.

The once-sloping space now has climbing vines, a slatted fence, and foxtail agaves.

King installed dimmable fluorescent strips by Bartco in the alcoves above the cabinets for ambient lighting.

A shallow built-in bathroom shelf.

A spacious deck and large glass doors allow for seamless indoor/outdoor living.

Curtiss describes the floor plan as “super efficient but with gracious moments.” Instead of maximizing room size, she ensured that shared spaces were adequately sized. In the upstairs hallway, that means two or three people can pass each other with relative ease.

The entrance opens into a light-filled hall, with a Marcel Wanders chandelier and a Luna console table by Noé Duchaufour-Lawrance.

The courtyard is just one of many open spaces that will be highly utilized—in the non-winter months anyway. Concrete worked well with developing the language of FlatPak. The second level is a wood panel that can be clad in corrugated metal or cedar—different layers that can be plugged in like covers on your cellphone.

The public staircase is directly adjacent to the house, though the louvers mitigate the view of passersby in favor of views of San Francisco.

“We wanted windows and natural light. It’s not quite a fishbowl—we have shades for privacy.” —Eddie Baba, resident.

Though the fire pit was “kind of an after-thought,” says Hannah, the family uses it year-round. “In the spring and fall, it warms you up on cool nights, and in the summer, it just adds ambience.”