In an industrial neighborhood in Brooklyn, a verdant green roof of native grasses, wildflowers, and fruits creates an oasis.

The house is oriented to maximize views of the ocean and Edgartown to the west, and Nantucket and Cape Pogue Bay to the east. Natural sea grasses sourced from the surrounding area cover the roof of the building, providing thermal insulation while also dampening the noise of rain, improving air quality, and helping to manage rainwater flow.

On the outskirts of Austin, Texas, author Chris Brown and his dog Katsu head to the river; the path was once a dumping ground on top of a long-defunct underground oil pipeline. The green roof was conceptualized by John Hart Asher of the Ecosystem Design Group at the Lady Bird Johnson Wildflower Center in Austin.

Vegetation from the garden on the lower roof provides a contrast to the backdrop of Gowanus’s rapidly changing landscape.

“In this house, the roof is the only facade—the rest is dissolved beneath it.” —Architect Aljoša Dekleva

Edgeland House, built on a cliff-top lot in Austin by architect Thomas Bercy for lawyer and writer Chris Brown, is topped by a living roof to help it blend into the landscape. The concrete, steel, and glass house is divided into two distinct public and private halves.

Native grasses spill forth from the green roof toward a stairway leading to the main level.

Green roofs are aesthetically pleasing and have multiple positive environmental benefits, even if they are small in terms of square footage. Here, a green roof blooms atop the detached garage of a home.

Rodriguez, a designer and architect who runs the studio Agi Miagi, created the pendant lamp and terrariums in the dining area. The space is open to the living area, where Brown’s son, Hugo, sits on a Living Divani sofa. The countertop-table is by Bercy Chen Studio.

Architect Tamira Sawatzky used Ikea components—one-inch Lagan butcher block countertops and inexpensive Ekby Lerberg brackets—when designing the bookshelves along the living room wall in the home/studio he designed for himself and his wife in Toronto.

Purple thistles, California poppies, clover, and dandelions have all taken root in the roughly 10-inch-deep, lightweight humus and grape-husk soil in this 580-square-foot green roof. Designer Peter Liang says that he "wanted to plant a green roof for its thermal mass, but I wanted it to be as natural as possible."

"In this project, we got so much benefit out of this 'secret garden' for the master suite along with all of these environmental benefits that the residents were excited to embrace. It's one of the pieces we are happiest about," says architect Jonathan Feldman.

Landscape architects Reed Hilderbrand helped fill out the completed prefab by planting sedge grass on one of the house’s two green roofs to reflect the texture of the surrounding meadow.

Just up a ladder is the green roof, which is planted with maintenance-free sedums and tall grasses near the patio that Monkman tends carefully.

The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.

According to Remijnse, since the only direction they could build on the small site was up, they decided to add height with a gabled roof.

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Blanc took the term "living room" to a different level with this striking 20-by-23-foot interior wall for the Dimanche family's home in Paris.

The floor plan reflects the way in which the design's angles interact with the site.

One of the main goals of the construction was to do as little harm as possible to the existing environment, which includes waterways that salmon depend upon. Herrin and his team created a garden roof that covers the full extent of the home to meet this objective. “This helps control storm water runoff and also replaces lost insect habitat—insects being a critical food source for juvenile salmon,” he says.

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The MudGirls Collective (circa 2005) on Jen Gobby's living roof. Photo courtesy of Jen Gobby.

According to the U.S. Environmental Protection Agency, food scraps and yard waste make up 20 percent of what we throw away. Composting organic materials keeps them out of the landfill, which cuts down on greenhouse gases, and enriches the soil. To compost at home, make a pile in your backyard, or introduce an indoor bin for throwaways like apple peels and eggshells.

The roof deck is a place for entertaining, and offers scenic hillside views. During the design process, the team was challenged with preserving these views while adhering to the required 3.5-foot railing height mandated by building code, a height that would block all views while seated. As a solution, the team came up with open metal railings that would maintain safety while preserving the view.

The roofs of each of the three sections of the home are constructed of zinc and are insulated for added protection.

The architects discreetly sunk a pool into the roof terrace of the old corral. In order to shade part of the terrace, the architects designed a freestanding sun shelter. So as not to damage the outer walls of the old building, a galvanized-steel frame is secured to the terrace floor. A bamboo-reed covering projects a soft, filtered light onto the outdoor living area below.

The winglike dips in the roofline situate and hold the house against the region’s brutal winds. As the outdoor chairs attest, lifestyles here pass easily between inside and out; a long hike and a good swim are always just steps away

“We have all these different destinations,” says Sardinas, a writer who works from her home office. “I’ll be working, get stuck on a passage, and take a break to go read outside.” On the lower roof, red Vegetal chairs by Erwan and Ronan Bouroullec for Vitra provide moments for repose.

Architectural designer Sebastian Mariscal and project manager Jeff Svitak created a house in Venice, California, for Michael and Tamami Sylvester. Known as Dwell Home Venice for its role as an exemplification of modern architecture, the house is an homage to indoor-outdoor living. Photo by Coral von Zumwalt.

The acclaimed Italian designers Ludovica + Roberto Palomba carved a serene retreat out of a 17th-century oil mill in Salento.

“The home is quite small, but designed in such a way that you don’t feel it,” Herrin says. Lift-slide openings by Quantum Windows & Doors, which were fabricated fewer than 50 miles from the house, make the main living space seem larger.

The 925-square-foot house Maggie Treanor calls home blends into the landscape somewhat; with a galvanized steel shed roof and siding, it looks like a high-design little brother to the barns on the surrounding farms.

In the living room, spare Scandinavian design takes center stage. Hans Wegner’s Wishbone chairs surround an Essay dining table by Cecilie Manz for Fritz Hansen; a mostly wood palette is enhanced by slate-gray brick around the fireplace. The paper lanterns throughout the home are a mixture of classics by Isamu Noguchi alongside those picked up in Japan and France.

“There’s a presence to that place—it’s vast, and constantly shifting,” Moffitt says. “It was clear that this house should be an observation shed for the changing landscape beyond.”

In the living area of actor Vincent Kartheiser’s Hollywood cabin, redesigned by Funn Roberts to maximize every last inch of space, an Eames lounge chair and ottoman mix with a couch and coffee table by Cisco Home from HD Buttercup. The table in the main room is from West Elm.

Some 35 percent of the materials from the renovation were resurrected in the yard: Redwood panels became fencing. Blocks cut from original concrete patios form the snake wall. And Purdy plans to crochet colorful cozies over various branches and stumps.