"Beauty," Olafur Eliasson, 1993. In this work, a spotlight shines through a layer of mist to create a rainbow that's only visible from certain angles.

Lightroom 1.0, a photography studio, is a freestanding structure on the property. “Together, they represent an autobiography of my career,” Carpenter says.

To most eyes, Ezequiel Farca’s 1970s-style concrete home in Mexico City looked like a teardown. Even the lot itself—shallow and crammed against a steep hillside—wasn’t particularly alluring. But Farca saw through all the restraints to create a spa-like refuge in one of the world’s most energetic cities. "It’s is such a hectic place. You’re bombarded by so much information the moment you step into the streets," says Farca, who first gained prominence as a furniture and interior designer. "So we envisioned this house as a retreat, a kind of a temple." The rooftop courtyard is lined with a verdant mix of indigenous plants, including banana trees, palm trees, lion’s claw, Mexican breadfruit, and native vines. The chaise longues were designed for Farca’s EF Collection.

Fashion designer Josie and her husband Ken Natori are big fans of traditional Japanese architecture, so when Brooklyn-based practice Tsao & McKown Architects designed their home in Pound Ridge, New York, they used a heavy, exposed-timber structure, and included Japanese-style gardens and landscaping.

The owners of this 2,300-square-foot converted loft in SoHo have a penchant for color and collections. To make way for these elements, BC-OA kept new materials simple and desaturated with super white walls; oil-finished, white oak flooring; and white lacquered cabinetry. In the dining area, a custom designed, built-in, tufted banquette adds soft juxtaposition against the live edge dining table. The velvet upholstery is meant to provide contrast against the exposed, white-washed original brick in both texture and era. Overhead a brass chandelier with exposed Edison bulbs references the former Swan Incandescent Electric Light Co. which occupied the loft after construction was completed in 1897.

A look at the home's front facade. In a Melbourne suburb, Splinter Society Architecture designed the versatile home for Mark and Cara Harbottle and their three young children.

Inspired by modern Japanese minimalism, Hong Kong practice JAAK demolished the walls of this two-bedroom apartment and remodelled it into a studio with an

The living area boasts nearly 10-foot-high ceilings that impart a feeling of airiness and spaciousness. Discreet, built-in storage in the floor at the top of the steps prevents clutter from accumulating.

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"In this project, we got so much benefit out of this 'secret garden' for the master suite along with all of these environmental benefits that the residents were excited to embrace. It's one of the pieces we are happiest about," says architect Jonathan Feldman.

Living in between the woods

The sunken living room is just one of many grade changes inside the structure. “We were adamant that we didn’t want something domestic,” says Andrew. “We wanted something surprising, that was hyper-animated, and that, when you moved through it, changed all the time.” The sofa, designed by the couple and Levenbetts, is upholstered in cotton velvet. The Habibi side tables are by Philipp Mainzer for e15, the fireplace tools by Fort Standard, and the doors by Fleetwood.

The 260-square-foot Hytte module features tall ceilings of up to nearly 12 feet. Multiple windows fill the interior with natural light and frame views of the outdoors.

Stepstone's narrow concrete pavers add a graphic touch to the garden.

When designer Hilton Carter furnished the industrial-style Baltimore apartment and work studio he shares with his wife Fiona, their dog Charlie and two cats Zoe and Isabella, he created a wondrous indoor woodland that offers all the benefits of being outdoors without leaving home.

The colors used in the interior were inspired by the surrounding landscape. The kitchen island is clad in solid timber fluting crafted from durable plantation-grown iroko with with a granite top. “The green-blue-brown color of the granite benchtops very much reminded me of the colors of the water in the nearby harbor of Tutakaka,” says architect Belinda George.

A custom sofa was installed on the far side of the bathroom for even more space to relax.

1993, Pierluigi Cerri.

In their concrete-walled courtyard, Yuka and Aaron watch as twins Emerson and Jasper, daughters Maude and Mirene, and Alfie the dog play. The house is painted in Black Bean Soup by Benjamin Moore, a color in keeping with the period of the original architecture. The garden was designed by Lauren Hall-Behrens of Lilyvilla Gardens.

A photo of Verner Panton from 1993. © Panton Design, Basel

Day takes a swim in a new lap pool framed by a lush Southern California garden. The lower wall next to the pool is made from stacked Pennsylvania bluestone, which was used for all exterior stone as well.

Niko Architect and landscape firm Ecopochva designed a Moscow home that doesn’t play by the rectilinear rules of conventional architecture. Vegetation blankets the home’s concrete form, and its walls sweep upward and outward to become roofs. Molded floor-to-ceiling windows curve to grant panoramic views of the backyard and swimming pool.

Homeowner Simon Doonan stands next to the front door. "We have flamboyance, and we’re not inhibited about anything. [Architect] Gray Organschi gave [the house] that intellectual rigor needed to make it beautiful. We were well matched."

Karen White, David MacNaughtan, and their sons, Griffin and Finlay, hang out on the front deck, which lines up next to the neighbors' porch.

The finished print measures approximately 5 x 5 feet.

This elevated prefab cabin along the Chilean Andes has a buffer zone that helps protect it against harsh climatic conditions. The 1,033-square-foot Casa R opens up to a "chiflonera," an intermediate space between the interior and exterior commonly found in Patagonian homes.

Settled on a picturesque hillside in Somona, California, the Connect 5 residence features stunning floor-to-ceiling windows, which allow warm natural light to flood through the home.

The colored tile grout was sourced from Grout360. The tiles are from RAK Ceramics.

Villa Engels, the home of the esteemed Belgian modernist Lucien Engels (1928–2016), was falling apart when its second owners bought it in 2013. Yet due to its heritage status, any changes they planned would have to be approved by the provincial preservation office. Engels completed the elongated, cantilevered residence in 1958, the same year he finalized the master plan for Expo ’58, the Brussels World’s Fair that famously featured the Atomium.

Prentiss + Balance + Wickline Architects' created both public and private outdoor spaces in Chechaquo Cabin. A second-floor rear deck is propped up on the graded slope to host a secluded spot for a hot tub.

Elsa, designed and built by Olive Nest Tiny Homes, is a 323-square-foot tiny house, complete with a pergola-covered porch, a swing, and a greenhouse. "We wanted to soften the look and the experience and extend the living space with something useful," says designer Melanie Aho, who launched the tiny home company with her parents Mary Susan Hanson and Randy Hanson. Elsa is outfitted with cedar shiplap, standing-seam metal exterior siding, and a standing-seam metal pitched roof. "The look is simple and earthy," Aho says. "We’re of Scandinavian heritage and are drawn to Scandinavian style and design."

To prevent damage to phone and case alike, these Pantone-matched iPhone 5 covers ($27.99) are composed of durable, scratch-resistant plastic.

“5” candleholders by So by Sonja-Taking the pentagon shape as her inspiration, Sonja Björk Ragnarsdóttir masterminded a five-sided puzzle of sorts with candle holders for her own brand, So by Sonja. "It's impossible to create a straight line with them. But placed together they will always create an interesting shape," she said. Ragnarsdóttir's "5" candle holder uses neither wool, wood nor stone but rather the lesser known but equally Icelandic material of aluminum, manufactured in large quantities by the island nation. By applying autumnal colors (the designer's favorite time of year) the cold metal seems if not natural then at least as reaching out to the land from which it was born. Photo by: Tiffany Orvet