Iannis Xenakis pictured in 1995.

This drawing is a study for Xenakis's 1977 composition Jonchaies.

The Museum for Architectural Drawing in Berlin, designed by Russian firm SPEECH Tchoban & Kuznetsov, has a wooden door that mimics the structure's textured concrete exterior.

Iannis Xenakis, Study for Metastaseis, c. 1953 Ink on paper 9 1/2 x 12 1/2 inches. Iannis Xenakis Archives, Bibliothèque nationale de France, Paris.

Architectural ispiration and exhibition posters fill the walls of Juhl's home office. Two chairs of Juhl's design are placed on the side of his desk, designed in 1945.

Study for Terretektorh (glissandi), c. 1965��66 Pencil on paper 8 1/2 x 11 3/4 inches Iannis Xenakis Archives, Biblioth�que nationale de France, Paris

Brothers’s newest series of drawings is called Earth Shift.

Concept drawing of the home. It ultimately came to $225 per square foot, which is falls in the lower end of custom construction costs in Northern California

Noguchi's table has been produced by Herman Miller since 1947.

Herem periodically shares images of his creative process on Instagram.

FAT’s CIAC in the style of Theo van Doesburg by Yale student Tamrat Gebremichael. [via Abitare]

When it was introduced in 1967, Eclisse won the Compasso d’Oro, the esteemed Italian award that recognizes outstanding industrial design.

In the rendering for the zeroHouse, the building appears to be both a harmonious addition to the landscape and a harbinger of future architectural forms.

Iannis Xenakis with Le Corbusier en route to the Philips Pavilion, c. 1957 Archival exhibition print 7 x 5 inches Collection of Fran�oise Xenakis

In the Furniture and Accessories zone, Maine-based furniture company Thos. Moser showcased the Fahmida Chair. Plans for the black walnut chair—a collaboration between the brand and Pratt graduate Fahmida Lam—were also on display.

Despite its minimalist rendering, each Landmarks Print from studio esinam includes intricate details that show the differences between the landmarks. The Gothenburg Landmarks Architectural Print includes architectural drawings of three iconic places in the Swedish city including the historic Kopparmärra statue, the Läppstiftet building—nicknamed “lipstick” for its shape and color—and Göteborgs Konstmuseum, Gothenburg’s famed art museum.

Student's Pavilion Plan Silva began researching, gradually building a community around those with experience and knowledge of the Pavilion. He spoke to a couple in Cleveland that managed a roller rink that once was located on-site, the members of the New York State Pavilion Paint Project, working to restore the structure, and found out about the 1969 concert series, when bands such as The Grateful Dead, Led Zeppelin, Fleetwood Mac and Santana played under the Tent of Tomorrow. He even made the Pavilion part of his teaching curriculum—the middle school educator has his eighth graders design alternative uses for the pavilion in 2012.

And another conceptual drawing of the installation.

During The Case Study Houses' Influence on Modernism conversation, Alvin Huang, who leads the Architectural Association School of Architecture Visiting School in Los Angeles (AAVSLA), will speak about the continuing impact of buildings such as Pierre Koenig’s Stahl House and John Lautner’s Sheats-Goldstein Residence. During the two-week AAVSLA program, students study L.A.'s iconic houses as a way to spark conversation about the future of residential design. Photo of student work at the AAVSLA booth on the show floor at Dwell on Design, 2014.

Bernard Tschumi’s perspective drawing for a Spartan Villa.

Legendary California architect John Lautner drew a complete set of plans for an additional studio, maid's quarters, changing room, and pool, that were never realized.

Rietveld continued to play with the Zig Zag design, as pictured in this 1952 sketch that includes an armchair version.

Study for Terretektorh, c. 1965��66 Color pencil on paper 8 1/2 x 11 3/4 inches Iannis Xenakis Archives, Biblioth�que nationale de France, Paris

Study for Metastaseis, c. 1953 Ink on paper 9 1/2 x 12 1/2 inches Iannis Xenakis Archives, Biblioth�que nationale de France, Paris

Robert Ackerman, Design for Chevrolet, 1965.

The Berlin Elevations Architectural Print celebrates building from the German capital, including iconic structures alongside lesser known places, focusing on the often overlooked details that comprise the modern urban experience. This print provides architectural drawings of five of Berlin’s buildings— Brandenburger Tor, Berliner Siegesäule, Am Kupfergraben 10, Berliner Fernsehturm, and Neue Nationalgalerie.

Study for Terretektorh (distribution of musicians), December 20, 1965 Ink on paper 9 x 9 inches Iannis Xenakis Archives, Biblioth�que nationale de France, Paris

Polytope de Montr�al (plans, elevations, axonometrics), 1966 Blueprint 14 x 21 inches Iannis Xenakis Archives, Biblioth�que nationale de France, Paris

Cosmic City (aerial perspective), 1963 Ink on paper 8 3/4 x 11 3/4 inches Iannis Xenakis Archives, Biblioth�que nationale de France, Paris

John Perkins, Design for Cadillac, 1966.

FAT’s Hoogvliet Heerlijkheid via David Hockney, drawn by Yale student Kara Biczykowski. [via Abitare]

The red version of the lamp is available for the month of December for 149 USD or 169 CAD.

Study for Metastaseis, c. 1953 Pencil and color pencil on paper 8 1/2 x 11 3/4 inches Iannis Xenakis Archives, Biblioth�que nationale de France, Paris

From Sweden’s studio esinam, the Elevations Architectural Print Series is a thoughtful collection of portraits of famous international cities. In architectural drawings, elevations are flat representations of the façade of a building, showing a complete view of one building’s side. The Paris Elevations Architectural Print includes architectural drawings of five buildings—Sacré-Cœur, Palais Garnier, Arc de Triomphe, Pont Marie, and Centre Georges Pompidou.

Piet Hein Eek, at the drawing board