In the office, existing track lighting illuminates cabinetry covered in Lemon Bar by Miller Paint.

Juicy Salif Lemon Squeezer -- Alessi (1990) Likely the only juicer displayed at MOMA, Starck’s aluminum tripod design could be mistaken for a streamlined alien invader from a ‘50s pulp comic. He’s rumored to have said: "It's not meant to squeeze lemons, it is meant to start conversations."

Good Goods Catalogue -- La Redoute (1996) Starck’s sense of humor and ecological passion come through in this catalog of “non-products for non-consumers in tomorrow's moral market,” both an environmental message and an about face from some of his more over-the-top projects. Witness the “Starck Naked” Starck roll-on dress.

Zik Headphones -- Parrot (2012) Audiophiles appreciate the sound quality and intuitive, motion-sensitive commands -- swipe the right earcup to increase the volume, take of the headphones and the music pauses-- built into this high-end headphones. Design fans will be equally engrossed with the generous curves and shapely form in Starck’s creation.

Dr. No Chair -- Kartell (1996) Starck recast the club chair with this playful design, a wrap-around of colorful, injection-molded plastic.

“I have always thought of myself as a student.”—Hiroko Takeda

Guests mingled around the pool. Hello Again welcomed partygoers to rethink the typical dinner party.

Peter Guthrie, DDG; Jes Paone, DDG; Alex Polier; and Ghislaine Viñas make for a festive group.

Party-goers gathered in one of the two condos presented at the event.

Theo Richardson and Alexander Williams of Rich, Brilliant, Willing enjoyed the unseasonably warm weather on the 2nd floor terrace.

Louis Ghost Chair -- Kartell (2002) This iconic seat shows Starck playing with form and material, recasting the royal Louis XV chair concept with translucent, injection-molded polycarbonate. More than a million of these chairs have been sold.

Takeda uses two looms, a Macomber Dobby with 16 harnesses—“old but very stable and reliable”—which she inherited from Larsen Design Studio, and a computerized AVL Compu-Dobby loom, which she can program in order to test new materials and weaving techniques.

For this art piece, which she says is inspired by the “quiet but powerful” Italian painter Giorgio Morandi, Takeda wanted to “capture a subtlety of colors” by using bundled silk tape for depth and texture.

One of those experiments has yielded a recurring series of waffle structures.

Concrete pillars are key in the event of a tidal wave.

A BDDW furnished bedroom with custom Lindsey Adelman lighting.

A behind the scenes moment: Last minute party preparations with Dwellers Nuala Berrells and Sara Ost (center); team members from Sett Studio, GoodLife Team, and WakaNINE make last minute adjustments as the line outside grew around the block.

NEW YORK, NY - OCTOBER 03: (L-R) Alexandra Lange, Galia Solomonoff, Marion Weiss, and Claire Weisz speak at the New York Magazine And Dwell Women In Design Panel Discussion on October 3, 2012 in New York City. (Photo by Larry Busacca/Getty Images for New York Magazine)

NEW YORK, NY - OCTOBER 03: (L-R) Alexandra Lange, Galia Solomonoff, Marion Weiss, and Claire Weisz pose at the New York Magazine And Dwell Women In Design Panel Discussion on October 3, 2012 in New York City. (Photo by Larry Busacca/Getty Images for New York Magazine)

The GoodLife Team crew.

A group of party guests.

As seen from the entrance, the venue grounds glowed thanks to a custom, multicolored installation from David Trubridge and WakaNINE.

The view from near the DJ booth.

At night's end, guests kicked up their heels and danced.

DJ Spooky laying the beats.

Two happy SXSW Eco attendees smile for the camera.

The first guests arrive for the prefab walk through.

Bartender Elisabeth Champagne serves organic margaritas and muddled jalapeno-cucumber cocktails to thirsty guests.

NEW YORK, NY - OCTOBER 03: Guests attend the New York Magazine And Dwell Women In Design Panel Discussion on October 3, 2012 in New York City. (Photo by Larry Busacca/Getty Images for New York Magazine)

Guests step up to tour two of the prefabs and chat with Sett Studio, Dwell, and GoodLife Team members.

As the doors opened and night fell, the crowd began to grow. Some noshed on vegan local food truck fare while others headed for the prefab walkthrough.

Bright white Flux chairs stand at attention the day of the party.

The rear prefab (completed the day of the event) is perched in front of a large geometric cabana structure which housed the margarita bar.

NEW YORK, NY - OCTOBER 03: A general view of atmosphere at the New York Magazine And Dwell Women In Design Panel Discussion on October 3, 2012 in New York City. (Photo by Larry Busacca/Getty Images for New York Magazine)

Track and spotlights are fixtures that are attached to a track that is mounted to the ceiling or hung off the ceiling, depending on the fixture.