Piet Hein Eek's wooden chairs add a touch of color to the monochromatic Amsterdram apartment of Hunter Hindman and Shelby Carr.

In the dining room, which opens to the backyard terrace, original tilework on the floors and walls complement decidedly modern counterparts—an original 1938 Butterfly chair by Antonio Bonet, Juan Kurchan, and Jorge Ferrari Hardoy, and a 1983 TMC floor lamp by Spanish designer Miguel Milá.

The dining room.

“What often happens in our relationship is I come to Funn with an idea and he makes it into something livable.” —Vincent Kartheiser

The architects stuck to a gray-scale color palette, installing slate tile floors that softly contrast with the white walls and Eames dining chairs. “It lets the views out the windows become the focus,” Dworkind explains. Doses of pure black accent important features, like the central wall that divides the kitchen and master bedroom behind it from the main living space.

The new volume houses the dining area, which includes stairs to the bedrooms. The table is from Blake Avenue and the walnut chairs are from Room & Board. “You don’t want bright colors to take away from that relationship between the interior and the exterior,” Walker says.

At the client’s request the kitchen contains neither upper cabinets (Shino can’t reach them) nor an oven (they only used the old one once—to reheat a pizza). A modular Roche Bobois Mah Jong sofa adds a decorative flourish to the living area while maintaining as low a profile as the traditional Japanese furniture.

The dining room features a Glo-Ball T table lamp by Jasper Morrison.

Requirements for licensed contractors depend on the scope of work and the location of the project.

Shophouses are a staple of Southeast Asian urban architecture. A team of designers including Yong Ter, Teng Wui, Andrew Lee, and Edwin Foo renovated this shophouse into a contemporary sanctuary over the course of two years. They left the roof completely open from the beginning of the original airshaft to the back of the house. The heart is a cooking/dining area with a 13-foot-long Indonesian table made from a single piece of teak.

The table is situated in front of the house’s rear wall of skyscraper glass. Laminate kitchen cabinets by Ikea are framed in wraparound bluestone; the 48-inch commercial range is by FiveStar.

Konstantin Grcic’s Venus chairs for ClassiCon surround a table by Poliform in the formal dining room. Hill selected the Flos chandelier designed by Marcel Wanders for its "Old World reverence." The sleek fireplace mantel was designed by Hill and cobbled together onsite from three solid slabs of limestone.

Alex enjoys a sun-filled breakfast at the built-in dining table and bench, one of many space-saving designs.

The family sits around, and under in the case of four-year-old Kaz’ma, the sunken table for a snack. Makiko made the covers of the mats her mother sent from Japan by hand. The black lamp is from Ikea.

Located just off the kitchen, this room was originally designed for dining—the adjustable Ligne Roset Crescendo coffee table can be raised to 28.75 inches—but most days Bill and Abbie prefer to eat outside or at their casual Caesarstone-topped kitchen island. Today the space serves as a sunny reading spot and guest room, with a convertible futon (from Ligne Roset, since discontinued) and a set of leather-and-steel Paulistano armchairs from Design Within Reach.

A view of the kitchen's back wall shows the bright marriage of the yellow Fireclay tile backsplash with incoming light from the adjacent sliding door and the row of windows just above the hanging Boca Raton blue cabinets. Basked in light, the new kitchen displays an organized and cheerful aesthetic.

What are some places the children's and parents' needs dovetail in the design? There was a lot of concern about minimizing clutter. There's acres of cabinetry to put things away. I think that helps to keep the kids calm. Clutter is really hard on autistic kids. Being able to keep things clean seems to really help. This place had to be user-friendly for the kids, parents, and tutors.

The drawing room, the couple’s principal entertaining space, contains many highlights of the exhibition, including two Tonico lounge chairs by Sergio Rodrigues; a jacaranda bench by Alberto Reis; a leather-and-rosewood sling chair fabricated by Liceu de Artes e Oficios de São Paulo; and drawings by the contemporary Brazilian artist Paulo Climachauska. "Furniture is more beautiful with a patina—and this comes from years of careful and loving use." —Kathryn Smith

In the dining room, a James Burleigh table sits beneath a sizeable skylight. Throughout the ground floor, additional lighting is recessed in the coffered ceilings. Painted brick walls provide a reminder of the building’s industrial past.

For the outdoor dining room, interior designer Damon Liss selected a Soho pendant lamp by Joan Gaspar, Trennza chairs from Janus et Cie, and the Portica outdoor table from Room & Board. The sliding glass doors are by Arcadia.

The floor tiles are close matches to the originals, which had to be replaced after a pipe burst.

In 2006, Claus—director of Claus en Kaan Architecten, one of the Netherlands’ top architectural practices—finally got inside Perret’s apartment. He was duly impressed. “It’s the sheer abundance with which limited materials are used here that first struck me,” he says. “The wall-to-wall French oak paneling, combined with materials that were ahead of their time—columns made not from marble but from stone-blasted concrete, the extraordinary round plaster ceiling inset, and the fiber-wood paneling—and his attention to the tiniest of details.” He tracked down the organization that owns the apartment, the Association Auguste Perret, to see if he and his wife could rent the unit as a pied-à-terre. To his surprise, they said yes. In the dining room, a marble-topped table by Eero Saarinen is ringed with Eames wire chairs. Through oak accordion doors, the atrium beckons with red Utrecht armchairs by Gerrit Rietveld and a yellow Diana table by Konstantin Grcic.

Udechuku and Smith consider the rare rosewood-and-black glass dining set by Joaquim Tenreiro the highlight of their Brazilian Modern exhibition. "It's a true masterpiece, and the only piece I have felt really nervous about using," admits Udechuku.

With his son, William, watching, architect Noah Walker tries out the floor-to-ceiling Schüco glass doors he integrated into a guesthouse he designed off an existing barn for Nathan Frankel, an amateur violinist, in Beverly Hills, California. The new portion features an open living-dining area. See more glass houses we love!

When architect Nick Martin was hired to rework an art curator’s Hamptons property into a Zen-like getaway from the big city, he took an appropriately holistic view. It’s the beach house that’s got it all: green technology; passive solar design; rich materials; an expansive feeling, despite a petite half-acre corner lot; and a design concept that references its humble beginnings as an off-the-rack kit house.

"Small IKEA kitchens drive me crazy, but six kitchens' worth of IKEA cabinets can be made into something beautiful," says homeowner Andrew Dunbar. Staggered by width, the cabinets have exposed kick-plate gaps for storing CDs.

One of the hardest things to do when looking at potential homes is to overlook existing finishes, colors, and materials.

Brammy and Kyprianou hung Koura pendant lights by New Zealand designer David Trubridge above the dining area. Their organic forms and diamond-shaped shadows create intimacy in the vast space. Among Bilardo’s contributions were the black tulipwood cabinetry and ceiling and the cantilevered concrete countertop that appears to go through the glass wall.

In 2005, Gretchen Rice and Kevin Farnham acquired a 1908 home in San Francisco that had been remodeled in the 1940s by well-known local architect Henry Hill. Their series of small interventions have kept the design intent of the 1940s renovation—including an enclosed atrium, wood wall paneling, and unusual built-ins—while updating the home for contemporary living. In the dining area, Metropolitan side chairs by Jeffrey Bernett for B&B Italia surround a Surf Table designed by Carlo Colombo for Zanotta.

Strips of white-oak flooring line the interior of the studio, created by designer Jeff Vincent and PATH Architecture. The George Nelson Bubble Lamp Saucer pendant is available at the Dwell Store; the kitchen cabinets and appliances are by Jenn-Air. All accessories are from Canoe and Relish.

The central living area features an open-plan kitchen, living space, and deck with views of Louttit Bay. To maximize energy savings, the house has a ducted reverse air cycle system from Fujitsu.

The duo added custom redwood cabinetry on the dining area side. The pendants are from Birchwood Lighting.

A small dining room occupies the space just beyond the living room. It’s furnished with vintage folding chairs designed by Danish architect Mogens Koch that are easily stored for more space.

In the dining area, Splügen Bräu pendant lamps for Flos hang over a Super-Elliptical table by Piet Hein and Bruno Mathsson for Fritz Hansen.

In the dining room, a Smoke chair by Marten Baas for Moooi keeps company with a glass-and-ceramic vase by Hella Jongerius and a mirrored steel painting by artist Michelangelo Pistoletto.

PATH partnered with local woodworkers Benjamin Klebba, of Phloem Studio, and Bren Reis, of Earthbound Industries, to build furniture and cabinetry into the walls.